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King Lear
Character----1962 Peter Brooke
oScript possessed characters that embodied a state of 'moral neutrality.' Forced the audience to make judgements themselves about the characters. Eg- Brooke's Lear earns his doom, therefore, does the audience pity, nod to his punishment, both?
oDisplay of minimal vision. Portrayal King Lear as a tragedy of the grotesque with an emphasis on minimalistic traits as a basis for his vision eg. Bare stage, two moveable white flats.
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oEmphasised Lear's tyranny and obsession with power, and also highlighted the similarity between his behaviour and that of Goneril and Regan.
oCharacterisation, also emphasised by the lack of symbols, staging and costumes.
oSome critics say; by emphasising the grandeur of each characters traits and characterisation and diminishing all other theatrical devices "this turned the play into a bleak vision of negation."
Chaos and Barbarity----1908 Max Reinhardt.
oWanted a "stark look in high relief to underline the violence and cruelty of the script."
oHe intended to achieve an outlet to show what he perceived as severity, cruelty and violence not only within the narrative of the play but also within the subtext- using symbols and representational material. Eg- the use of the black and white geometrical patters seen in the stimulus material. It captures the insanity and delusion shown by Lear in a symbolic state, which strongly represents his mental decline throughout the play.
oChose to explore the play from an angle of barbarity and severity.
oPanels; contrasting and clashing lines creating unrest, a feeling of anarchy.
oProduction that accents minimalist symbols. The stage was used as a signifier of emptiness, suggests a world of constant decomposition, the stage plateau itself eventually disintegrating, as if it had eroded.
oEmphasised the chaos and barbarity of King Lear through a violent mixture of patterned panels of cloth.
oLife is meaningless and random, without pattern or design.
oThe throne, placed upon a raised dais, was white, signalling that Lear's power at the beginning of the play was a force of good that was lost or abandoned as the play progressed.
oDisruption of order; Lear divides his kingdom in two- an unnatural act that unbalances the assumed hierarchy.
oEmphasis on destruction or decomposition of order. The natural order in this context was masculine power, and the destruction of order brought about throught female insubordination.
Political--------1981 Imre Csiszar
oUsed his set to signify a decaying factory with Lear, and industrial despot whose narrative inflicted state of madness and insanity. Lear's transition of descent from his state of power to a self-pitying industrial outcast.
oUsed the symbolic effect of a freight train that would screech on stage and crash down stage barriers, which represented n apocalyptic effect that was reinforced by the apocalypse within the play itself.
oPolitical theme. Production is a political parable about authority in Eastern Europe in the 80's. Decaying of the building, not only mirroring the decay of Lear and his kingdom, but also the decay in Eastrn Europe.
Feminist Portrayal
oA family that has succumbed to chaos and anarchy, basically because of the rise of the women within it. Elizabethan's had a great belief that the family revolved around the patriarchal dominance. The father was the head of the household, an das long as that stayed the case everything would be just fine. Goneril and Regan gained power……..anarchy reigned. They challenge the traditional 'power of men', celebrating their roles as women. They are very sezually powerful beings, and because of this they dominate their husbands. Their downfall is that they let themselves become infatuated by a 'man', it is their weakness. From a feminist point of view, it can even be seen as a warning to women about what will happen if we let men dominate our lives.
Family Drama
oLear as a mirror for the universal relationship between parent and child. Goneril and Regan as women who have led an unjust and abused childhood under a tyrannous father, who had always made it obvious that Cordelia was his favourite. Shakespeare himself shows them to be human, not just acting from unjustifiably evil personalities.
oHighlights the universal difficulties in understanding between the younger and older generations.
oGoneril and Regan; despite their love for their father, cannot continue living the life he wants for them, and must take a stand. Lear makes this harder than formal for them to do, which is why they end up doing the unforgivable things they do.
oStruggle between parent and child; in relation to that parent growing old and losing his or her mind. Parent must deal with the loss of independence, and the child must deal with the new dependence that the parent now has on them. Lear resents his children, in reaction to his loss of independence and power. Goneril and Regan therefore, are just in their treatment of Lear in the Beginning of the play, as to them he appears to be a difficult old man.
Changing Self----Ben Winspear
oPlay as an exploration of self, and how that self changes in the ever-changing harsh world that that we are surrounded by. The production also explores how….to deal with that world we.. take on roles, wear masks that we either create ourselves, or that have been created by others. Eg- Edgar transforms himself into a beggar, to hide from death. Lear himself disappears into his own madness, as if hiding from his own bad decisions and judgements. Goneril an Regan hide behind masks, masks of fake love for their father, and fake love for each other.
How do I see Lear?
From a feminist point of view.
Main focus is on Goneril and Regan…forward thinking, gain power by using their sexuality and brains. They celebrate their roles as women.
King Lear, he is very Elizabethan in his role. Has a great belief that the family revolves around the patriarchal dominance.
Regan and Goneril challence the traditional role of men and women.
Regan and Goneril- to represent the idea that unless you stand up, play the game, etc…. you will not gain anything. Nod and smile, until you get the power, then use it.
Act 1, Scene 1
Woman holding up the fort, getting no credit for it…………………..
Goneril and Regan, enter the court, supporting King Lear. Cordelia dutifully remaining a few steps behind. Cordelia was treated the way she was because she didn't understand the power, didn't understand the game. Goneril and Regan, their posture tall, proud. Head up. Look everyone in the eye. Look at the men present as an equal. Cordelia, eyes downcast, submissive, small steps. Wringing her hands. Hate confrontation.
Camera angles, positioning of people, backdrop,
Quotes
Lines 1-20 take out.
"Goneril, our (pause) eldest born, speak first."
Goneril and Regan exchange a glance.
"What sais our second daughter, wife of Cornwall."
'dearest' left out, despite their good qualities that he has not taken the time to find out, they are nothing to him. Stress on 'Cornwall'…indicates women are second to their husbands.
"Unhappy that I am, I cannot heave my heart into my mouth."….has never had to do anything to fight for her position. Just be meek and mild, obey, she gets what she wants. Too young to realise the game. Leave out the rest of her lines till Lear speaks again.
"But goes thy heart with this?"
"Ay, my good lord."
Lines 246-250 take out. (they show Cordelia with feminist virtues, not how I want her character.)
Goneril; "Let your study be to content your lord."- take out.
"We must do something, and I'th' heat." Music…..uplifting. Regan and Goneril both smiling, veils off their faces. Nearing the end of their suffering and suppression.
Richard Eyre. (red version)
Similarities
oUse of colour to show meaning. Flowers (feminism), Red (emotion)
oCordelia is not shown to be arrogant
oKing exorcises his command.
Differences
oCordelia not confident to speak her mind
oLear is shown to be petulant, little kid.
oCut out lines 1-20.
Michael Elliot
Similarities
oStraight to the entering of the King.
Differences
oSet in obvious time period of the stone age, with swords.
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