Monday, July 12, 2021

Barbie

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Barbie has shaped the lives of many girls, young and old, around the world. She is not only a role model but also a lifelong friend. She has been and will continue to be a great influence on the lives of young girls. "This teenage fashion doll transcended racial boundaries to become the world's most successful toy" (Varaste, 1, p. 8).


Barbie was invented in February of 15 by Ruth and Elliot Handler, founders of Mattel Toys. While watching her daughter, Barbara, play dolls with her friends, Ruth Handler discovered that young girls liked to play with adult dolls rather than baby dolls. She believed that creating a teenage doll that girls could play with and dream about the future with would be a great idea. She made her dream a reality and created Barbie. Barbie is named after Ruth's daughter, Barbara, who inspired Barbie's creation.


In 15, Barbie was unveiled at the American Toy Fair in New York City. Buyers were skeptical of the doll. "Never before had anyone seen a doll so small, yet so sophisticated. As a teenager, Barbie was completely unlike any of the baby or toddler dolls popular at the time" (The Barbie Story, 00, pp. 1, ).


The first Barbie wore her hair in a ponytail. She was dressed in a black and white zebra-striped bathing suit, open-toed shoes, sunglasses and earrings. "Her features were harsh, with inverted "V" shaped brows, pursed red lips, and the famous side glancing eyes that lacked color, defined by black lines and a stroke of blue eyeliner over the lids" (Varaste, 00, p. 1).


College papers on Barbie


Although many purchasers of toys were skeptical, Mattel stood behind its product. This proved to be a wise decision for the company. Barbie set a new sales record for Mattel its first year on the market. A total of 51,000 dolls were sold at three dollars each. Mattel was so swamped with orders that it took years to catch up with demand (Invention of the Barbie Doll, 00, p. 1).


In the early 160's Barbie began wearing designer clothing. "The large wardrobe of the Barbie doll is reminiscent of the extensive wardrobes of fashion dolls popular in Europe in the late 1th century" (United States, 00). Her image began to mirror that of Jackie Kennedy's. Barbie was always trying to portray a positive American image.


Barbie's wardrobe wasn't the only thing that began to change. Barbie's body style underwent changes. She was given a new face sculpture, new hair, and new makeup. Barbie was given a "Twist 'N Turn" waist. Her face became more youthful and she received rooted eyelashes (The Barbie Story, 00, p. ). Barbie's hair became long and straight and came in many different colors. It was fun for young girls to brush and play with.


After much begging and pleading from Barbie's loyal fans, Mattel created Barbie's boyfriend, Ken. He was named for the Handler's son.


Barbie also was given two more new friends. In 16, her best friend, Midge, whose face was fuller and freckled, was produced. Midge was less intimidating and sensual than Barbie. Then in 164, Barbie was given a little sister named Skipper. Skipper answered the request that Barbie have kids (Inventing Barbie, 00, p. ).


In the 170's Barbie became more bendable. She was given bendable wrists, elbows, and ankles. These transformations allowed Barbie to participate in many new activities such as ballet, gymnastics, and horseback riding.


Barbie underwent more changes in the late 170's. A major face sculpting change was introduced with Superstar Barbie. "This doll featured a wide open-mouthed smile along with bright painted eyes, and looked much friendlier than any of the previous dolls" (The Barbie Story, 00, p. 4). Barbie wore clothes that reflected the funky trends of the time.


In 176, Barbie was given a place in "America's Time Capsule" at the nation's bicentennial celebration.


Barbie began to attract adult woman in the 180's. Most of Barbie's original fans had now grown older, but instead of giving up their favorite childhood friend, women started to collect Barbie. "For many of these women, Barbie symbolized the innocence of their youth; she was a part of them that was timeless, agelessand they wanted to reconnect with their favorite fashion doll" (The Barbie Story, 00, p. 4). Mattel began producing more sophisticated dolls to satisfy the needs of collectors.


In the 10's many famous designers began creating Barbie's clothes. Included in this exclusive list were Bob Mackie, Nolan Miller, Vera Wang, and Christian Dior. The new designs created lots of excitement in the world of doll collecting. Barbie began to wear elegant gowns with sequins and beads. Her face changed once again and Barbie wore a full-lipped, closed smile.


In 17, Mattel created The Official Barbie Collector's Club. Mattel wanted to give the Barbie collectors more access to the world of Barbie.


Barbie's world continues to grow in the 1st century. She now has, not one, but three of her own websites. Barbie.com, the official Barbie website, allows girls to design their own dolls, play interactive games, make up stories, and engage in many other interactive activities. Barbie Collectibles has a website of its own. There is also a dedicated online store for the collector line of Barbie.


Barbie has survived because she is accessible. Children in the poorest countries can afford her. "Her world has transcended all socioeconomic boundaries" (Inventing Barbie, 00, p. 5).


Barbie has been a major influence on American culture. She has been an inspiration. Barbie has shaped the lives of many girls, young and old, around the world. Her charm, charisma, good looks, and grace have turned audiences into admirers (The Barbie Story, 00, p.1). WORKS CITED


Inventing Barbie. Retrieved October 8, 00 from http//www.people.virginia.edu/~tsawyer/ barbie/barb1.html.


The Barbie story. Retrieved October 1, 00 from http//www.barbiecollectibles.com/collecting /story.asp.


The invention of the Barbie doll. Retrieved October 1, 00 from http//www.indeafinder.com/ history/inventions/story081.htm.


United States (Culture). (00). In Microsoft Encarta Online Encyclopedia. http//www.encarta. msn.com


Varaste, C. (1). Face of the American dream Barbie doll 151-171. Grantsville, MD. Hobby House Press.


Varaste, C. (00). Classy lady The number three ponytail. Barbie Bazaar, 14, 1.


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Thursday, July 8, 2021

"An eye for an eye makes the world go blind"

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"An eye for an eye makes the world go blind." Discuss in relevance to recent events.



Two guys were always engaged in bitter rivalry. The cause for this rivalry a girl. Both these guys fought against one another to get the eventually the luckier one won her heart. But the ill fortuned one didn't give up. He mind started working as crookedly as it could. He thought of a devious scheme to dispose of his foe. He had a grandly sinister plan. One day, he set out to accomplish his plan.



The next day morning, the entire media was buzzing. The news of a person being murdered was always a cause for publicity. The murdered, not surprisingly was the lucky man. Forensic examinations revealed that he had been poisoned. All evidence pointed towards the ill fortuned man. His motive was extremely conspicuous. He was trialed, found to be guilty, and was sentenced to capital punishment. The only one left in tears was the girl.



Such is the tragic end to any story beleaguered with revenge and malice. Nor do people learn from such stories. In this context also pertinent is the saying "An eye for an eye makes the world go blind." I pluck your one eye out and in retaliation you gouge one of mine out. I go for the second round of fire and pull out your last eye. You, overwhelmed with fury, and remove my last eye. The end result two blind people. I fear that that is only the surface meaning of a metaphorical quote which has so much to teach us.



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If one might remember, the infamous quote mentioned above was said by the venerable Mahatma Gandhi when he saw the atrocities committed during the partition in 147. India was divided into India and Pakistan based Muslims and Hindus (The people belonging to these religions can be seen as an allusion to the 'two eyes'). The Muslims would take part in incursions into Hindu territory and cause disruption and the Hindus would also do likewise. Riots were frequent and many families were left distraught. (The families insinuate blindness).



This question over the relevance of this quote can to be seen as one of optimum importance. Not that there is an escalated level of people quibbling over one another because of jealousy and malice. One can look at the quote at two levels. One is the personal level of which I have given an example earlier on. The second is at an international level. What appeals to me and is more pertinent in today's current affairs of the world is the latter.



"An eye for an eye makes the world go blind." In today's world nothing is stable. Erratic economy is but one thing. People's corrupt mind work in perverted ways to terrorize or to reach pinnacles of power. And then there are the other few who wish to eliminate such evil. Even the superpowers such as US and Britain fail to recognize the evocative nature of Mahatma Gandhi's quote. Not only them but also do the vast counties under dictatorship. Countries fight for material procession and also for land. Two classic examples that have arisen in the past and which still present a plethora of issues are worth noting.



One of them is undoubtedly the US War in Iraq. Mr. Bush had clearly stated that his intentions for waging a war in Iraq were to root out the Baath party and to bring an end to Saddam Hussein's regime. Also, he had a strong feeling that Iraq had alleged links with the Al Qaeda terrorist group. He had also received intelligence that Iraq was responsible for the production of Weapons of Mass Destruction (WMD). He has also received British intelligence that Iraq solicited for significant amounts of Uranium from the countries in Africa to advance with its nuclear program. However, deeper to these reasons, one can not also dismiss the fact that this war was about petroleum and that Mr. George W. Bush was making attempts in securing and completing what his father set out to do ten years ago. So, Mr. Bush Junior amassed all the military power he could and attacked Iraq to oust the dictatorship and crush any insurgents. Alas! Mr. Bush has not yet succeeded. With the recent evidence showing that Iraq had no connection with any African country over the sale of Uranium, one begins to wonder whether Mr. Bush falsified statements to swing in his favor. Cynics and detractors can also draw fresh ammunition from the fact that no trace of a single WMD has been found in Iraq. What's worse? Polls recently revealed that Americans trusted pop start Eminen's lyrics more than Mr.Bush's words. Doesn't this all hint that the real intention is to usurp the oil supplies in Iraq? The peace keeping processes could be but an excuse not to draw to much attention.



And intention it might be, but Mr. Bush is no where near to getting his hands on it. With the war declared officially over nearly months, coalition troops were optimistic about a return back home. But no. As each day unfurls attacks on the coalition keep mounting as does the death toll. Also, the cost for the war which was estimated by secretary of defense, Mr. Donald Rumsfeld, earlier at billion per month has now totally . billion. The tables have been turned around and now Mr. Bush now finds the odds on him. He pulled an eye out and is having one of his pulled out now. More worrying for him is that the general elections are to be held next year and the question of whether the choice of going to war was a right one will erupt time and again. The repercussions of this war on Mr. Bush has still not reached its zenith but is slowly becoming more conspicuous. No evidence still remains as to whether Saddam Hussein is alive or not but from what we might believe he might be having a hearty laugh at Mr. Bush. "War never has positive Outcomes". Also "An eye for an eye makes the world go blind." Mr. Bush has experienced the sincerity of this quote. Hopefully he has learnt a lesson and will be sensible enough in not waging a war with North Korea.



A better example and one which will match all the criteria for the quote is the ongoing violence between Israel and Palestine. And this heated violence is not new to anyone. For over five decades, the Palestinians have fought to reclaim back what is rightly theirs. The history goes back to a period around 150 when Israel was proclaimed as its own country by the Jews, mainly because they felt that they were being oppressed by the Westerners. Because there were Palestinians and Israelis living in the same area and because they were of different religions but were still of Arab descent problems arose. The Palestinians were driven out the country and were compelled to live as refugees. Hence, the PLO was formed with its main aim being the destruction of Israel and the regaining of the land that was rightfully theirs. Over half a century has passed and we are still far away from restoring peace within both communities. Headlines such as "BOY KILLED IN SUICIDE BLAST" or "THREE KILLED IN WEST BANK THREATS POSED TO SIGNING OF NEW PEACE TREATY" have become customary but still cause great concern. Many eyes are being pulled and the world is gradually going blind.



When the situation become so dire, one can not just rely on peace keepers (like Mahatma Gandhi) to bring about stability. When people contemplate about the quote and achieve a sense of self realization and remove feelings of vengeance and malice from their minds, only then we will see an end to such atrocities. I wonder when I will see that day and when I can feel assured that I am in a fully secure environment.



 



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Friday, July 2, 2021

King Lear

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King Lear


Character----1962 Peter Brooke


oScript possessed characters that embodied a state of 'moral neutrality.' Forced the audience to make judgements themselves about the characters. Eg- Brooke's Lear earns his doom, therefore, does the audience pity, nod to his punishment, both?


oDisplay of minimal vision. Portrayal King Lear as a tragedy of the grotesque with an emphasis on minimalistic traits as a basis for his vision eg. Bare stage, two moveable white flats.


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oEmphasised Lear's tyranny and obsession with power, and also highlighted the similarity between his behaviour and that of Goneril and Regan.


oCharacterisation, also emphasised by the lack of symbols, staging and costumes.


oSome critics say; by emphasising the grandeur of each characters traits and characterisation and diminishing all other theatrical devices "this turned the play into a bleak vision of negation."


Chaos and Barbarity----1908 Max Reinhardt.


oWanted a "stark look in high relief to underline the violence and cruelty of the script."


oHe intended to achieve an outlet to show what he perceived as severity, cruelty and violence not only within the narrative of the play but also within the subtext- using symbols and representational material. Eg- the use of the black and white geometrical patters seen in the stimulus material. It captures the insanity and delusion shown by Lear in a symbolic state, which strongly represents his mental decline throughout the play.


oChose to explore the play from an angle of barbarity and severity.


oPanels; contrasting and clashing lines creating unrest, a feeling of anarchy.


oProduction that accents minimalist symbols. The stage was used as a signifier of emptiness, suggests a world of constant decomposition, the stage plateau itself eventually disintegrating, as if it had eroded.


oEmphasised the chaos and barbarity of King Lear through a violent mixture of patterned panels of cloth.


oLife is meaningless and random, without pattern or design.


oThe throne, placed upon a raised dais, was white, signalling that Lear's power at the beginning of the play was a force of good that was lost or abandoned as the play progressed.


oDisruption of order; Lear divides his kingdom in two- an unnatural act that unbalances the assumed hierarchy.


oEmphasis on destruction or decomposition of order. The natural order in this context was masculine power, and the destruction of order brought about throught female insubordination.


Political--------1981 Imre Csiszar


oUsed his set to signify a decaying factory with Lear, and industrial despot whose narrative inflicted state of madness and insanity. Lear's transition of descent from his state of power to a self-pitying industrial outcast.


oUsed the symbolic effect of a freight train that would screech on stage and crash down stage barriers, which represented n apocalyptic effect that was reinforced by the apocalypse within the play itself.


oPolitical theme. Production is a political parable about authority in Eastern Europe in the 80's. Decaying of the building, not only mirroring the decay of Lear and his kingdom, but also the decay in Eastrn Europe.


Feminist Portrayal


oA family that has succumbed to chaos and anarchy, basically because of the rise of the women within it. Elizabethan's had a great belief that the family revolved around the patriarchal dominance. The father was the head of the household, an das long as that stayed the case everything would be just fine. Goneril and Regan gained power……..anarchy reigned. They challenge the traditional 'power of men', celebrating their roles as women. They are very sezually powerful beings, and because of this they dominate their husbands. Their downfall is that they let themselves become infatuated by a 'man', it is their weakness. From a feminist point of view, it can even be seen as a warning to women about what will happen if we let men dominate our lives.


Family Drama


oLear as a mirror for the universal relationship between parent and child. Goneril and Regan as women who have led an unjust and abused childhood under a tyrannous father, who had always made it obvious that Cordelia was his favourite. Shakespeare himself shows them to be human, not just acting from unjustifiably evil personalities.


oHighlights the universal difficulties in understanding between the younger and older generations.


oGoneril and Regan; despite their love for their father, cannot continue living the life he wants for them, and must take a stand. Lear makes this harder than formal for them to do, which is why they end up doing the unforgivable things they do.


oStruggle between parent and child; in relation to that parent growing old and losing his or her mind. Parent must deal with the loss of independence, and the child must deal with the new dependence that the parent now has on them. Lear resents his children, in reaction to his loss of independence and power. Goneril and Regan therefore, are just in their treatment of Lear in the Beginning of the play, as to them he appears to be a difficult old man.


Changing Self----Ben Winspear


oPlay as an exploration of self, and how that self changes in the ever-changing harsh world that that we are surrounded by. The production also explores how….to deal with that world we.. take on roles, wear masks that we either create ourselves, or that have been created by others. Eg- Edgar transforms himself into a beggar, to hide from death. Lear himself disappears into his own madness, as if hiding from his own bad decisions and judgements. Goneril an Regan hide behind masks, masks of fake love for their father, and fake love for each other.


How do I see Lear?


From a feminist point of view.


Main focus is on Goneril and Regan…forward thinking, gain power by using their sexuality and brains. They celebrate their roles as women.


King Lear, he is very Elizabethan in his role. Has a great belief that the family revolves around the patriarchal dominance.


Regan and Goneril challence the traditional role of men and women.


Regan and Goneril- to represent the idea that unless you stand up, play the game, etc…. you will not gain anything. Nod and smile, until you get the power, then use it.


Act 1, Scene 1


Woman holding up the fort, getting no credit for it…………………..


Goneril and Regan, enter the court, supporting King Lear. Cordelia dutifully remaining a few steps behind. Cordelia was treated the way she was because she didn't understand the power, didn't understand the game. Goneril and Regan, their posture tall, proud. Head up. Look everyone in the eye. Look at the men present as an equal. Cordelia, eyes downcast, submissive, small steps. Wringing her hands. Hate confrontation.


Camera angles, positioning of people, backdrop,


Quotes


Lines 1-20 take out.


"Goneril, our (pause) eldest born, speak first."


Goneril and Regan exchange a glance.


"What sais our second daughter, wife of Cornwall."


'dearest' left out, despite their good qualities that he has not taken the time to find out, they are nothing to him. Stress on 'Cornwall'…indicates women are second to their husbands.


"Unhappy that I am, I cannot heave my heart into my mouth."….has never had to do anything to fight for her position. Just be meek and mild, obey, she gets what she wants. Too young to realise the game. Leave out the rest of her lines till Lear speaks again.


"But goes thy heart with this?"


"Ay, my good lord."


Lines 246-250 take out. (they show Cordelia with feminist virtues, not how I want her character.)


Goneril; "Let your study be to content your lord."- take out.


"We must do something, and I'th' heat." Music…..uplifting. Regan and Goneril both smiling, veils off their faces. Nearing the end of their suffering and suppression.


Richard Eyre. (red version)


Similarities


oUse of colour to show meaning. Flowers (feminism), Red (emotion)


oCordelia is not shown to be arrogant


oKing exorcises his command.


Differences


oCordelia not confident to speak her mind


oLear is shown to be petulant, little kid.


oCut out lines 1-20.


Michael Elliot


Similarities


oStraight to the entering of the King.


Differences


oSet in obvious time period of the stone age, with swords.


Please note that this sample paper on King Lear is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on King Lear, we are here to assist you. Your custom paper on King Lear will be written from scratch, so you do not have to worry about its originality.


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Friday, June 25, 2021

Locomotion: Structure related to function

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Biology


Structure is related to function


Name Brodie Kenyon


Teacher Mrs. Firth


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Due Date 4th March


Table of Contents


Page 1 - Title Page


Page - Table of Contents


Page - Sketching Toad


Page 4 - Fish


Page 5 - Bird


Page 6 - Cat


Page 7 - Lizard


Page 8 - Dog


Page - Introduction


Page - Adaptations of Skeletal Structure


Page - Class locomotion Compare and Contrast


Page 1 - Conclusion


Page 14 - Bibliography


Adaptations of Skeletal Structure


Skeletal structure differs for the locomotion of all species. Locomotion refers to the movement of an animal from one place to another4, many reasons for locomotion include searching for food, escape from predators, find a mate or in search for better living conditions. Many modes of locomotion include burrowing to swimming into large depths of water or from air to water and vice versa. All forms of locomotion require exertions of energy and force on their surrounding environment, using both muscular and non-muscular movements. Adaptations in joints and bone structure enable each species to migrate from positions in any way that they need to.


Joints and structure adaptations in class Aves (bird) are important for their locomotion. Birds are well adapted and suited for aerial mode of life that their whole organization and body structure is based on this mechanism. Since flight imposes a large surface weight ratio, birds are commonly small compared to other mammals. This short body creates less surface area for gravity to pull them down to surface. Birds bodies are small and have large amount of feathers upon its body, which are used for heat insulation and flight. There are different kinds of feathers on different parts of the body, meant for different functions. The alteration of forelimb to wing is the most important adaptation to flight. There are two free carpals; and the rest of the wrist is made of three metacarpals, the rather large pectoral muscles, making a larger part of the weight of the body produces the active movements of aerial locomotion. The muscle in the arm itself serves to extend the whole wing and to change the positions of the parts which assist with the aerodynamics and powered flight of the bird. The larger the bird, the more force which needs to be generated to maintain its flight pattern which is why most birds are short, light skeletal structural adaptations and aerodynamic posture. Gliding flight is economical in energetic terms as to powerful flapping flight. Aerofoil is also used to generate lift in all type of flight the size and shape of the orientation of the aerofoil determines the flight performance.


Most characteristic adaptations occur in the skeleton. Bones are light, and most of the birds have extensions of the air sacs. Sternum contains a large keel for the connection of muscles, the final tail vertebrae is merged. By the presence of the keel, with its muscles, the centre of gravity is below the centre of pressure, giving great stability. The joints of the vertebral column are compacted so that there is only movement in the cervical region. Limbs and girdles are also altered and great fusion of bones takes place. The neck is stretched and highly mobile. The trunk is plump, boat-shaped and is the larger part of the body. They have two pairs of limbs which are against the trunk when the animal is not flying. As shown in fig 1 each wing shows three typical divisions as do most animals upper arm, forearm and hand.


The shape of the wings and evolution of the muscles depend on the type of the flight that they wish to endure. The hind limbs are placed in a position that they can carry the entire body weight when they are on the ground.


Class Mammalian involves a less technical procedure for locomotion throughout their environment. Mammals are vertebrates by definition, this means that all mammals have an internal bony support structure to which muscles and ligaments are attached4. With basic joint and bone structure enables basic movement against the force of gravity. With mammals travelling on the surface of Earth a majority of the weight is transferred directly onto the surface. The main structure of the locomotion for mammals is the pelvic girdle. With both limbs departing from this structure, it becomes valuable for the precise movement of both limbs. Mammals consist of a head at one end of a vertebral column from which extend ribs to support the working organs and four limbs for locomotion. The vertebral column ends in a tail but the huge range of lifestyles and habitats utilised by mammals means that a great deal of variety exists between different groups. Some species lack a tail, others lack apparent hind limbs and the skull is very variable7. The skull in early stages consists of a very cartilagous structure, containing minimal bone, but as the body develops so does the bone structure throughout the body.


Amphibian locomotion differs as they are in both water and land, the skeleton design is highly specialised. Amphibians contain short, barely flexible vertebral column. Particularly the toad contains an unusual wishbone shaped pelvic girdle. The hind limb, proximal pair of ankle bones are separate and elongated5. Therefore different amphibian species migrate in varied ways. The main action for locomotion is the bending of the elbow1. The toad transfers positions using mainly strong, flexibly hind limbs, with a great outreach and forceful propulsion on the surface. With great movement in all pelvis region, knees and especially ankle region shows that they are able to conduct swimming locomotion as well as land.


Class Osteichthyes (Fish) skeletal structure differs throughout their species and are present in many varying forms all over the world. The main difference between shapes of individual species would firstly concern the need for them to travel through a resistant fluid with varying densities, pressures and drags. With a combination of these problems each species has developed, sometimes radically, different body profiles, many have developed torpedo shaped bodies to counteract the drag and glide through the water5. The caudal fin is probably the most important attachment used for acceleration as it whips through the water generating acceleration throughout their environment. Sideways curvature in the spine moves in a posterior direction to ensure basic direction and adaptation to their swimming environment. The swimming procedure starts with lateral displacement of head, and then passage of this displacement along the body axis to the tail1, similar to peristalsis motion to force the structure through using energy powering force. This Eel-like swimming characteristic is more energy efficient than power stroking using fins.


The lizard (Reptilia) is evolved from the class amphibian. With very fast rear limb movements, requires the lizard to have full mobility at the knees8. These very fast land animals have a basic locomotive structure. When the travel they also use the wave like motion similar to a fish, which enables them to be aerodynamic and not exert as much energy to move. With a lateral flexible spine allows side movement similar to the fish. They contain fine bones underneath the mandible so when they flare the frill neck is at a constant output8. Locomotion is common with these animals so adaptations are similar with all species.


The dog (Canis familiaris) and the cat (Felis silvestris) are both mammals, but even though they seem so similar there are varying differences in locomotion structure and skeleton structure. The movements in the neck are slightly limited to the dog when compared to the cat. Many differences which can be identified are that cats have a more curved and flexible spine. The have a longer tail and typically smaller animal. The body structures are typically the same, only differs slightly in the limb structure. Cats are particularly flexible; this is due to the structure of their body. Cats have 0 spinal vertebrae which extends all the way to the tip of the tail. This is 5 more than is found in humans, also Scapulae (shoulder bones) which are attached to the sides of the body by muscle, pliable discs of the bone-like substance fibrocartilage, a small floating clavicle attached to the body by muscle and strong hind legs which are longer than the forelegs, this enables them to jump long distances and climb vertical structures.


Locomotion is important in all species whether its for food or defensive actions, Skeletal structure is important to ensure locomotion is accurate in direct and prevent injuries. Basically skeletal structure is the bony section of the body and holds everything together. Without locomotion and moving parts, species would be still and not able to move. Skeletal structure even helps stimulate breathing by putting pressure on the lungs. Locomotion is important in everyday life for interaction feeding and daily habits. The design of locomotive structure determines the energy exertion amount and preserves energy for other activities. Finally adaptations in joints and bone structure enables each specific species to migrate from positions in any way they require to and live as modern day vertebrates.


1.Alexander, R. McN. "Size, speed, and buoyancy adaptations in aquatic animals". Am. Zool. 0 (18)


.Brown, R. H. J. (16). "The flight of birds". Biol. Rev. 8


.Cambell, Mitchell and Reece "Biology Concepts & Connections, nd Edition" Addison Wesley Lonmgman Inc. (17), Lisa Moller


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Wednesday, June 23, 2021

Magic Realism in Eva Luna

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Magic realism is a description of a certain sub genre that combines realism with fantastic and dreamlike elements. This term may be thought as a paradox- magic is not real- but such novels do not create a new world such as fantasy novels do, but suggest that the world is filled with secrets. These magical elements are not questioned and are simply apart of that reality. The mysterious, the beautiful and the amazing are expressed as magical, and perhaps are magical to the human perception of the world. Magic realism and its associated elements and techniques are displayed in Isabel Allendes novel Eva Luna. This novel displays realism alongside magical components that are seen as normal to the characters. It experiments with plot and style, and blurs traditional reactions to subjects. Materials from fairytale-like stories are used, political/social subjects are explored, time is represented as circular, and the paradox of the union of opposites is explored. All these characteristics of magic realism prove Eva Luna to be magic realist literature.


Magic realism uses sharply etched realism in representing ordinary events and descriptive details, according to Abrams Glossary of Literary Terms, and such a feature is displayed in this novel. Realism is where things are portrayed as they actually are, without idealisation, and this can blur the lines between good and bad. They paid little attention to Consuelo, who was growing up scorched by the sun, poorly nourished on yucca and fish, infested with parasites, bitten by mosquitoes, free as a bird. In an ideal world, she would have been clean and healthy, but is portrayed more realistically as dirty and unhealthy, yet still happy and free. A more powerful example of realism in the text is where the new, seemingly true love between Eva and Rolf doesn't last. …we loved each other more modestly until that love wore thin and nothing was left but shreds. It shows a painfully more real ending that most relationships dont last. This feature is expressed throughout the novel, proving the realism part of magic realism.


Magic realism involves the inclusion of fantastic and dreamlike elements in an otherwise realistic plot and setting, and this is found in Eva Luna. It clings to reality, but express the magic in that reality.


When she talked about the past, or told her stories, the room filled with light; the walls dissolved to reveal incredible landscapes, palaces crowded with unimaginable objects, faraway countries… She reduced me [Eva] to the size of an ant so I could experience the universe form that smallness; she gave me wings to see it from the heavens.


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The fantastic elements have an escapism effect, where you are taken to a new world with new rules and amazing features, but these elements stay close to reality. Consuelo simply tells stories that are transformed into breathtaking adventures through the imagination, but interpreting it on such a level is not necessary- we feel like Eva actually does travel across landscapes and is transformed into animals. This is perhaps the most obvious clue that this novel is magic realism.


The magic is part of the atmosphere of the setting in magic realist novels, and is an important aspect of it. The setting for the beginning of Eva Luna is a missionary surrounded by tropical jungle. It is a real setting, but a magical dimension is added to it. …on piles driven into the mud of a river of opalescent waters whose banks evaporated in the reverberating light. The dwellings seemed to drift amid silent canoes, garbage, carcasses of dogs and rats, and inexplicable white blossoms. Evocative words like opalescent and reverberating light create the image of sunlight sparkling on top of clear water, reflecting everywhere. It is a fantastic and amazing scene that could be described as magical. The second sentence adds a different atmosphere, describing garbage and carcasses, but strangely there are beautiful flowers growing amidst this. Beautiful life is able to prosper in filth, expressing the magic in reality. The use of setting in this novel portrays it as magic realism.


The magical elements in magic realist novels are never found to be strange by the characters, they are simply apart of the world, and this is true for Eva Luna. Magic realism aims to show something common or daily in something unreal or strange.


…and the Palace of the Poor, which for thirty seconds materialised like a hallucination at one side of the road…; Someone [had] ordered the guardia to remove the interlopers, with firearms if necessary, but the officials became lost along the way. They could not evict the occupants because the palace and everything inside had become invisible to the human eye; it had entered another dimension where life continued without aggravation.


The Palace of the Poor is casually described as a building that appears and disappears, that it becomes invisible and enters another dimension. These strange, magical elements do not surprise the inhabitants of this world, they are simply there. This proves that this novel can be described as magic realism.


Magic realist novels violate, in various ways, standard novelistic expectations by experimenting with narrative elements and styles of writing, as is done in Eva Luna. The novels plot wonders, going everywhere without a set central conflict and meaning like most novels. There is no main problem, but many that are resolved one after the other. It is more like a journey, containing many highlights and lessons, closer to a fictionalised autobiography than a novel. This experimentation with style and plot is typical of magic realist literature, demonstrating that Eva Luna can be classified under this sub genre.


Magic realist literature can blur traditional distinctions between what is serious or trivial, horrible or ludicrous, tragic or comic, and Allende does this in Eva Luna. One such example is Elviras coffin. She feared a paupers death, that her bones would be tossed into a common grave, and to avoid posthumous humiliation she had bought a coffin on credit, which she kept in her room. Allende uses assonance, describing posthumous humiliation to add humour into a usually serious topic. The idea of keeping ones coffin in the bedroom is very eccentric, blurring the distinction between the serious and humorous. Displaying this feature proves Eva Luna as magic realism.


Texts with magic realism also contain materials derived from myth and fairy tales, and such material is shown in Eva Luna. At the beginning of the novel a quotation from A Thousand and One Tales of the Arabian Nights is cited Then he said to Scheherazade Sister, for the sake of Allah, tell us a story that will help pass the night…. Scheherazade tells a cruel king stories to entertain and distract him from killing in vengeance of his wifes adultery, and succeeds in doing so for a thousand and one nights. This relates to Eva Lunas ability to tell stories. She tells Rolf a story of his past, where all his pains were changed into happiness. By giving Rolf a new life, reshaped to remove his terrible childhood, he is transformed much like the king in A Thousand and One Tales. By containing material from a tale, Eva Luna is further established to be magic realism.


Politics, revolution and social changes are often explored in these novels, and are sometimes used to make political statements. The many descriptions of the political turmoil in Chile are obvious examples of this. The tribal chieftain - motivated to cooperate after the Army had swept through her village leaving a swath of burning huts, gutted animals, and raped girls - had agreed to take the men [guerillas] across the river and lead them through the jungle. Allende describes the cruel and evil actions of the army, positioning the reader to feel anger against the government and righteousness in the guerilla movement. By exploring politics and revolution, her novel fulfils a trend of magic realist literature.


Time is a common subject, which is frequently displayed as cyclical instead of linear, in magic realist novels such as Eva Luna. Characters that Eva meet earlier on in the novel return again near the end. Elvira, Huberto and Melesio/Mimi reappear in such a manner, suggesting the circular, repetitive nature of time. She revisits Riad Halabi after many years of leaving her father figure/lover. He was exactly as I remembered him, not a minute older… I saw a girl [his wife] who was probably no more than fourteen… this man had rejected me because I was too young. Even events for Riad have been re-occurring, now with another young lover. Eva Luna can be defined as magic realism because of this display of circular time.


Magic realism also concentrates on the paradox of the union of opposites, and in Eva Luna the opposites mainly referred to are life and death. This also relates to time travelling in circles, life and death being a continuous cycle. Once such example is when Eva is conceived when her father was about to die. …soon he tumbled her over and embraced her with the urgency dictated by the proximity of death… And that is how I was conceived, on my fathers deathbed. The close relationship between life and death is examined, as when death comes, it is necessary for us to reproduce and achieve a form of immortality. Another union of these two opposites is when Elvira is saved by her coffin, using it as a raft during a flood. Imagine…all that sleeping in the box so that when death came for me, Id be ready, and then what came for me was life.… The coffin had saved her life. The paradox of being saved by an object that signifies death is obvious. By displaying this feature of magic realism, Eva Luna is proved to be described as such.


Eva Luna displays all the basic elements and trends of magical realism. Sharp realism is shown, portraying things, such as relationships, as they actually are without idealisation. Fantastic and dreamlike elements, entwined with a real setting, are seen as normal to the characters. The novel violates standard novelistic expectations with its wondering plot and autobiographical format. Allende blurs traditional distinctions of what is serious or humorous with Elviras eccentricities. Materials from tales are used and related to, politics, revolutions and social changes are explored, and time is shown as circular. Finally Allende concentrates on the paradox of the union of death and life, binary opposites, fulfilling all magic realist novel expectations and proving that Eva Luna can indeed be described as magic realism.



Please note that this sample paper on Magic Realism in Eva Luna is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Magic Realism in Eva Luna, we are here to assist you. Your cheap college papers on Magic Realism in Eva Luna will be written from scratch, so you do not have to worry about its originality.


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