Frankenstein - Gothic Horror and Sci Fi

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It is a fact that, "To create a fictional world that seems real to the reader, novelists use five main elements; plot, characters, conflict, setting and theme." The book Frankenstein has been labeled science fiction and gothic horror because, most elements of the story are similar or the same, as the elements of these two literary genres. Science fiction and Gothic Horror events, subjects, characters and crises are found in the book Frankenstein. One can discover this in further reading.

Mary Shelly's novel Frankenstein has been called the first "science fiction" novel. This is because the elements in the novel and the elements of the literary genre are the same. The term science fiction came into use a long time ago. Around the 10's "science fiction" was being defined in several ways. W. Campbell wrote up in story from exactly what "science fiction" meant. So what exactly does it mean? It is simply a genre that is used to write books, magazines, scripts for movies and other types of media, which have effects of science or future events. Science fiction does not always have to be true; in fact, most of the time it is imaginary. Popular subjects for science fiction include the future, space, life on other planets, and usually crisis's that are created by aliens, creatures or technology. When reading or watching a science fiction story it is mostly imaginary. One of the most popular topics for this genre is inventions or discovery in sciences. Science fiction characters and settings are most of the time unreal, which is to draw attention to the reader. A similar genre to science fiction is gothic horror.

Although very alike, gothic horror and science fiction are different in some ways. It has been said that "Frankenstein is one the most important 'gothic horror' novels." This genre is a piece of work that is used to emphasize mystery and horror. Books, movies and TV shows that are labeled gothic horror usually include violence, horror and the supernatural. Characters of the evil, monsters, vampires, etc. are most likely to be found in this genre. Other popular things you can find in gothic horror pieces are ghosts, haunted houses, underground and secret stairways or passage ways. These two genres sounds very familiar and some would argue that they are the same. As one will see, Mary Shelly's book fits into both genres, in ways that make it easy to be label as a "science fiction and gothic horror novel."

The book Frankenstein was written in the 1800s, when there was barely, or no technology. It was written as if it were a future event that may occur. This book seems, very unreal; the characters, settings and story line. For a book to be labeled as "science fiction" it must have some, or all of the elements of that genre. An element that makes up a science fiction or gothic horror novel is a monster or some kind of alien creature. One of the main characters in Frankenstein is a monster. The monster was created by the main character, Victor Frankenstein. Victor was a boy interested in sciences. As he grew older he decided to bring life into the dead. He collected parts of the human body from morgues and slaughter houses and haunted places of the dead. Here Victor is describing the look of his monster after it is created.

"Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of lustrous black and flowing; his teeth of as pearly whiteness; but these luxuriance's only formed a more horrid contrast with his watery eyes that seemed almost of the same colour as the dun-white sockets. In which they were set, his shriveled complexion and straight black lips."

Although he is human and made up of human parts, he is still considered a monster because he wasn't born of a woman. The situation Victor is in is also very unreal especially in that time of age. Even now with technology, it is impossible to create a human being from pieces of others.

Unrealism is an important element in both gothic horror and science fiction. Throughout the novel you will find a lot of unreal situations, characters and settings. One of the most unreal situations is when Victor goes to the morgues and slaughter houses. An everyday person would not be allowed to collect human parts of the dead. In this quote victor is preparing for the creation of his monster. He is talking about going to view the dead.

"To examine the causes of life, we must first recourse to death. I became acquainted with the science of anatomy, but this was not sufficient; I must also observe the natural decay and corruption of the human body."

This would not be allowed in 'real life', making this an unreal element.

For a novel to be considered a gothic horror and/or science fiction there must be elements of violence, horror, and super natural occurrences. Frankenstein has two of the three. There are scenes of violence and feelings of horror throughout the most part of the story. The monster is the most violent in the story. Here Victor finds out about his brothers death, he knows right away who committed it; the monster. This is part of a letter from his father "William is dead! That sweet child, whose smiles delighted and warmed my heart that was so gentle, yet so gay! Victor, his is murdered!" Scenes like this also create feelings of horror, violence, deaths, and murders are used to do this. This is just another example that shows why Frankenstein is considered a gothic horror and science fiction novel.

Even though there are more elements in Frankenstein that show why it has been labeled a science fiction and a gothic horror novel, the four elements above clearly prove why. After reading the previous information one will now that the novel Frankenstein has been labeled science fiction and gothic horror because most elements of the story, like the exceeding ones, are similar or the same as these two literary genres. Books, magazines, movies, and television shows of the 0th century continue to influence the popularity of gothic Horror and science fiction literary pieces.

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Comparing the guerres

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The Return of Martin Guerre is the marvelous and true tale of mistaken identity within the sixteenth century. It provides an intellectually provocative account of Martin Guerre from the village of Artigat, who left his wife and son as a young man only to return years later as a very different man. This changed man identifies himself as Martin Guerre and manages to convince everyone that he has returned. With very few blunders, he integrates himself back into the family he deserted and stole from years before. It seems that everyone including his wife, Bertrande, is willing to accept Martin back with open arms. No one questions his identity and all recognize him, welcoming back to the village he was born in. After several years of social likeability and marital bliss with two children, a vagabond recognizes Martin as Arnaud, nicknamed Pansetta, an old comrade from the war of the village of Tilh, which he denies. But the occurrence spreads gossip like wildfire among the village and there is talk. To make matters worse, not long after, Martin asks his uncle for his share of the farm?s profits and this is where trouble begins.

When Martin left, his uncle, Pierre cleverly married Bertrande?s widowed mother, thus consolidating his holdings. Pierre is furious at Martin?s presumption and attacks, accusing him of imposture, impersonating his nephew in order to steal from his family. Martin denies this accusation profusely and the entire village is caught up in the uproar so much so that the Councilor of Toulouse, is brought in to judge as to whom and what is correct. The Councilor examines Martin as well as Bertrande and speaks to many, finally, asking the village to vote on Martin?s authenticity, where he is justified as ?real.? This is only temporary however, when his uncle forges Bertrande?s signature to demand Martin?s arrest and trial as an imposter. The trial is held to determine once and for all whether or not Martin is who he claims. The first trial at Rieux found Arnaud guilty of imposture. To which he appeals and a second trial is held in Toulouse. The case is described as fascinating and frustrating for both Guerre?s relatives and the villagers who are equally divided between those who thought Arnaud an impostor, and those who believed he really was Martin. What balanced against Arnaud in the end was the shocking return of the real Martin Guerre. To which Davis carefully notes, the reason for his sudden reappearance in Artigat is not in the historical record.

Natalie Davis, author and a historian of early modern France, does an excellent job of painting the life and times of a sixteenth century peasant farming community in the south of France. Gathered from many sources, Davis relies on two main accounts Historia by Guillaume Le Seuer and Arrest Memorable by Jean de Coras. Both were written within a year of Arnaud du Tilh?s execution. She traces the tale of Martin Guerre extensively, providing related details from the time to the families involved. What makes this story unique and all the more intriguing that it was in fact the subject of historical treatise, very rare for ordinary peasant farmers. The book is woven with a pleasing combination of social and historical facts that are not only informative but also interesting. Learning about marriage and family customs of the day, the role of women and the management of property and money, we enter into the life of Martin Guerre-Arnaude du Tilh an opportunity rare of many historical accounts. Armed with religious, historical and social data, Davis proposes realistic reasons as to why each may have acted in the way that they did. An example of this is where Davis describes Martin?s first return from prison ?Bertrande received him with tenderness, washing his feet and taking him into her bed. Very early in the morning, Pierre and his sons-in-law, all armed, seized him in Bertrande?s name and had him bundled off to prison in Rieux.? She makes it effortless to understand and relate to each character?s strength and weakness, desire and ambition. This is also true of the film Le Retour de Martin Guerre, which captured so well the essence of the story. This is not to say however, that the film is in any way as historically accurate or informative as Davis? book. Particularly, in reference to the rich Basque background which is completely ignored as well as many issues pertaining to rural Protestantism that are sacrificed. The film just barely dares to touch on religion with no verbal references and few visual props, these mainly devoted to Bertrande and her chastity. Nor are we told of the origination of Guerre in the film that, in actuality was altered from Daguerre to be accepted by the village. Davis? book contains much more historical information and sociological analysis than the film would ever dare to portray, presenting a well-researched picture of the events. Her writing is easily accessible and flows extremely well from the first person perspective.

Le Retour de Martin Guerre (the French film made in 181 that inspired Natalie Davis to write her book) despite the above criticisms, has proved a successful historical romance by Motion picture standards. The film is artistically and visually pleasing, mainly due to the authenticity that Davis brings to the table, having consulted on the authenticity of the set. The film begins and we are led through the daily routine of a sixteenth century French peasant household, from reaping grain, washing clothes to meal preparation and child rearing. The cast is extremely realistic, faces and clothes are soiled and sweaty, even the hair is stringy and hands grimy. Everyone looks as though they are in dire need of a bath! Although the scene we are brought into is convincing, one is not fully involved in the ongoings until the middle to latter half of the film. This is mainly due to the necessity of laying a sixteenth century foundation for sake of believability but as I mentioned earlier, there is little reference to the family?s origins and deep Basque tradition which could have made the beginning of the film more engaging. However, one must be forgiving when it comes to movies, due to the fact that the average moviegoer is more interested in the actors and the love story than the underlying history, which is disappointing but true. As for the actors, Gerard Depardieu is superb, he gives a compelling performance as the ?fake? Martin Guerre. Depardieu manages to be sincere while at the same time underlying deviance, charming everyone including his wife with that big, hearty smile of his. His wife, played by Nathalie Baye is equally as enjoyable, bringing the perfect mixture of innocence and beauty necessary to Bertrande. Baye balances her situation of knowledge and power well and one is never quite sure if she, indeed, is fully aware of the switch. In her face, we easily identify with her, torn by love, guilt and doubt. Overall, the confusion is portrayed extremely well and the other actors play off of Depardieu and Baye with skill that just seems understood. Everyone understands their position and feelings in a real and authentic manner to which I have only seen the French pull off. When discussing this film with others on the course, many complained of the subtitles, I did not find them distracting at all. On the whole, the film is executed very well and I understand Davis? point that the movie did not fulfill historical standards but one must be prepared for that. The film is a romance that tickles the moviegoers senses, allows one to become involved with the characters and if one is aware enough to observe a little history along the way; it is not an appropriate historical or proper story reference in the way that Davis? book is. As long as they are appreciated in different contexts, I believe both are useful and are laden with rich forms of historical reality.

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Islands YMCA Gymnastics Team to Defend its Title in Savannah

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Islands YMCA Gymnastics Team to Defend its Title in Savannah

By Karl DeMasi

Winning a championship is a great feeling for any athlete and team in any sport. The Islands YMCA gymnastics team from Wilmington Island won the 00 National Team Developmental Championship at the Niagara Falls Convention Center in New York last year. This year they will be defending their title in Savannah.

Defending a championship title in any sport is an honor and a privilege. Defending a title in one's hometown is electrifying and gives one an advantage. The "Islands Girls" YMCA gymnastics team has the honor this year to defend its national YMCA title right here in Savannah. The event will take place at the Savannah Civic Center from July July 7. Co-Meet Coordinator and coach of the "Islands Girls", Carol Henry, said, "It is an extreme honor for our association and its gymnastics booster club to hold a prestigious event like this. This is the third time we've hosted this event and it's the largest in 8 years. There will be over 1,00 gymnasts coming to the meet. They represent approximately 110 YMCA's from around the United States."

When you go into their practice facility in the brand new YMCA on Wilmington Island, there are hundreds of trophies lining the walls. Over the past few years, the "Islands Girls" have won numerous awards and titles. In 000, the team placed third in the overall competition, and in 001 they came in at a close second place. Then, finally, last year the "Islands Girls" brought home the national title. So far this year their United States of America Gymnastics (USAG) level eight team was first in the 00 Valentine Invitational meet in Tucker, Georgia. Their level five and Novice team finished first in the 00 YMCA Georgia state meet.

"Hopefully this year's success will help us repeat as national champions," stated Henry. "We're so proud of our team. We always try to instill two main thoughts in the girls to be successful. I feel these thoughts give the girls pride and determination. The first thought is, 'Attitude is everything' and 'God gave you talent-you need to use it'."

To understand a gymnastic meet, you have to know the four different events the gymnasts will compete in the floor exercise, the vault, the balance beam, and the uneven bars. The winner with the most points form each category is declared the winner of that individual event. Whoever accumulates the most points in all categories combined is the overall individual winner. The team with the most high point place finishers then earns the team title.

The gymnasts also compete at different ability levels. The competition breaks down into five levels of competition at the national meet. Level five and six are the compulsory divisions. They compete and follow the USAG routines and rules. Novice division is the beginner optional division and follows the USAG level seven rules (Level five, six, and novice only compete for individual awards. There is not a team competition at this level).

The developmental level is an intermediate optional division and they follow the USAG level eight rules. They will receive individual event awards after each session, but the top twenty girls from junior and senior age group will qualify to compete for the top ten all around places. There are 70 girls entered into this division, and the top ten teams will win an award.

The championship level is the highest level of competition. There are 147 athletes in this top division. They follow USAG level nine and ten rules. The girls will compete on the first day, and only the top 80 will qualify for the semi finals on the second day of competition. After the second day of competition, the individual all around places will be decided after the points from the two days are added together. The top ten all around athletes for junior and senior age group will be announced as the "00 YMCA Women's All American Team Members" (The Islands YMCA team has had five girls make it to this team in past meets). The top ten championship teams will be awarded for this division.

 

The Islands YMCA Gymnastics is coached at each level. Karie Wise and Martha Garcia coach the level three and four gymnasts, Beth Rathburn coaches the level five/novice gymnasts, Natalie Stein coaches level five and six gymnasts, Carol Henry coaches level seven, eight, and nine gymnasts, and Romy Mumalova is the Head Competitive Coach.

Gymnastics is an expensive sport due to the amount of traveling that the girls do throughout the year. "Many of our recreational and teen girls receive financial aid through our scholarship program offered by the YMCA of Coastal Georgia. If it weren't for this benefit, they would not be able to have such great opportunities. Even some of our girls on the national team received aid," said Coach Carol Henry.

Even though gymnastics is not a sanctioned sport in Georgia high schools, many of the "Islands Girls" gymnastics female athletes have had offers to join college gymnastics teams. Some of the colleges who've shown interest are located in Texas, California, Colorado, and Kentucky. Right now only a few girls represent college teams. Two gymnasts who graduated in 1 went on to participate on college teams. Amy Sue Fescharek joined the Wolfpack of North Carolina State and Fateema Turay joined the Bulldogs of Yale University gymnastics teams. Fateema was the captain of Yale's gymnastic team this year.

The 00 YMCA women's national gymnastics championship is here in Savannah. Once again the dates are scheduled from July - July 7, 00. "Contracts with the city where made a year in a half ago. There are 8 volunteer chairmen that have put in numerous hours in since January of this year to coordinate this event. It will take approximately 400 volunteers during the week of July nd to July 7th to make this a success." If you are interested in volunteering, please contact Carol Henry or Margie Kelly (meet directors) at 87-11 or 87-85. You do not need any experience in gymnastics, just a friendly smile!

 

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Body Image and the Media

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"Models wanted for bar promotion… candidates must be physically fit…" (See figure 1). This ad and others like it are printed everyday throughout newspapers and magazines that are read by millions of teenaged girls and women. Some girls may glance at the ads, and pay them no attention. But there are others who feel the "perfect" people in the ads are the ones they should strive to be like to live a more fulfilling life. As most people already know, nobody is perfect. In order to be as close to perfect as possible, extreme measures are taken to achieve the "perfect" body. Because the average teenage girl cannot afford plastic surgery or liposuction, they take the route they can afford, not eating. This is where eating disorders such as anorexia and bulimia come in. Because of the "images of perfection" portrayed by everyday media, thousands of girls and women suffer and die from starving themselves to be perfect.

The two most common eating disorders are Anorexia Nervosa and Bulimia Nervosa. These disorders are most frequently connected with young women who are dissatisfied with the way they look. The contributing factor to them feeling that way is the way the mass media repeatedly equates female beauty and success with a level of thinness that is unattainable for most women ("Adolescent Body Image…"). Anorexia can be diagnosed by the following symptoms; refusal to maintain weight (this is over the lowest weight considered normal for their age and height), an intense fear of gaining weight or becoming fat, a distorted body image and, in women, three consecutive missed menstrual periods without pregnancy (Farley). Bulimia can be diagnosed by; recurrent episodes of binge eating, a feeling of a lack of control over eating during binges, use of self-induced vomiting, laxatives or diuretics, strict dieting, fasting, or vigorous exercise and a persistent over-concern with body shape and weight (Gottlieb 88). In short, both disorders are extremely unhealthy and dangerous ways to go about losing weight.

The biggest issue concerning these two eating disorders and the media is who or what is to blame for the thousands of young girls and women suffering and dying for perfection. Is it television? Is it movies? Or is it the ads throughout magazines and newspapers featuring the many known models of the day? Some feel the influence comes from one of the three, others feel the influence stems from all of the three. To examine these queries, many studies and surveys have been done to find the answers.

College papers on Body Image and the Media

Television is the most popular form of free entertainment today. People of all ages watch television. The "beautiful people" seen on the television screen are a major influence on the lives of the people who watch them. They are idolized and imitated by the people who watch them. Because they are mostly thin, and on television, the theory that you have to be thin to gain money and success comes into effect. This leads to the idea that being fat or overweight is going to get you nowhere, although there are many overweight, very successful people on television. According to a study done by researchers from the School of Psychology at Flinders University, two groups of girls aged 1-15 and 15-17 who were shown 0 commercials containing females who "epitomized the current thin ideal," and 0 commercials that did not contain these images. The study produced results that on average, the "thin ideal" television commercials had a negative impact on the girls' moods and body image for both groups of girls ("Adolescent Body Image…"). Obviously, from the results, one can see that regardless of age or maturity level, if you are unhappy with the way you look, people on television who are the epitome of how you view beauty will further affect they way you view yourself.

For years going out to movies, or in more modern days, renting movies to watch at home has been another popular activity used for entertainment. Millions of people watch movies. And a lot like television, many notable stars are featured in the movies. The same people who watch television and idolize its stars do the same for movies, but now they just have to pay to do it. Not only do the "perfect" people in the movies perpetuate the low self-worth that can lead to picking up bad eating habits, but the movie plots themselves can also be discouraging. For example, the movie Shallow Hal, the main character in the movie was generally mean and rude to overweight women, as people are everyday. He only wanted to date thin, beautiful women. Because of his prejudice, a spell was put upon him which caused him to have a sort of backward vision. Every overweight woman he saw appeared thin in his eyes. Due to his distorted view of women, he only dated exceptionally large women. Because of this, onlookers and his friends constantly ridiculed him. But don't big women need love too? At the end of the movie, the spell wore off and his normal way of perceiving woman was restored, but now he had more of a respect for big women. The way the main character felt in the beginning of the movie is the way many men really feel. The sad part of that is that big women know that this is the way a lot of men feel. What do they do about it; not eat to conform. Yet again, this is another part of modern media adding to some women's' already low self-image.

The last question of whom or what is to blame for the distorted images girls follow are the magazine ads that all usually feature well-known models. No matter what magazine, be it fashion, teen or business, there is some clothing or perfume ad featuring half-dressed people, appearing to be so happy and loving life. The average woman sees 400 to 600 advertisements per day ("Body Image and Advertising"). Ads send the message that "if you are not a size one, you can not wear Calvin Klein jeans" or "you have to be thin to wear Tommy Girl perfume." Women tend to compare themselves to everybody around them. With "perfect" women on nearly every page of a magazine, some cannot help but wonder if they are as pretty as the woman in the picture. And if they feel they do not compare with the models, some will do whatever it takes to match up. The main course of action taken is not eating and over-exercising.

From looking at three common types of media, one can see why people believe that the media is a large contributing factor to the rise in cases of anorexia and bulimia. Whether it is television, movies, or magazines, a woman who is unhappy with herself will emulate who she believes will make her happy. Unfortunately, if that means starving oneself skinny, then so be it. Some critics believe that only people with low self-esteem will do almost anything to change who they are and become someone else in hopes of gaining self-confidence. This speculation may be true in

some cases but not all. In a survey done by Teen People, out of 100 well-rounded, strong-minded, A-plus students 56 percent of them claim to have been negatively influenced about their appearance by television and magazine ads (Todd 0). They also said that the clothing ads featured in magazines had the most negative influence. The theory that low self-esteem equals low self-confidence goes right out the window.

Women should not subject themselves to unhealthy practices to try to be flawless like the women in magazine ads. Everyone has flaws; even the women in the ads are not flawless themselves. The models' features are enhanced with props, lighting angles and computer techniques. Their shapes and sizes are also altered. If they have the slightest flaw unwanted by a photographer such as, blemishes, freckles, lines, and wrinkles, they are edited out. And in movies, body doubles are used when certain body parts of the actors do not match up with the "perfect" image. Pictures are also edited, touched up and doctored to fit the "image of perfection." ("Body Image and the Media…") Therefore, even though the people in the pictures and on television and movies seem to be perfect, nobody is perfect. Being healthy is more important than being perfect.

Please note that this sample paper on Body Image and the Media is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Body Image and the Media, we are here to assist you. Your persuasive essay on Body Image and the Media will be written from scratch, so you do not have to worry about its originality.

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Love

If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Love. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Love paper right on time.

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In this essay, I am going to explain what Christians mean by love, and also give some non-Christian views on love to see if they really are so different. I am also going to see if everyone agrees on what love is, and if there are different types, if so, what they are.

In English, we have one single word for love, whereas in Greek, they have many different words for it

-Eros Sexual love/ physical love. When someone is attracted to someone, they're often in a state of Eros, because they are sexually attracted to someone.

-Ludis Flirtatious, teasing love. This love is associated with a teenage kind of love. It is where the parties play games, resulting in a fleeting type of quick romance. Ludis is an outward expression of love. It is often intended to arouse another to physical attraction, which can lead to Eros.

-Philo Brotherly love. Love that is generated and/or related because of a common bond.

-Storge Friendship love. Friendship love, involving respect and concern for another person's interest. This love contains more companionship than excitement.

-Pragma Logical love. This is for people who worry about if their partner would be a good parent. It is the kind of love that is based on shares interest and common backgrounds. This love is influenced by a series of principals, and the application of reason.

-Mania Smothering love. It is possessive, dependant, and jealous love. Mania is a mentally excited, excessive and persistent love. This type of love is like an obsession or craving. It can lead to exaggerated feelings and excessiveness.

-Agape Divine love. This is also called self-sacrificing love. It is when someone is willing to so something for someone else with no expectations of anything in return.

Christians believe love is vital. Jesus summed up the 10 commandments in just two

1.Love God

.Love your neighbour

This shows that to Christians love is important because if you can sum up the 10 commandments in just two, and they both include love, it shows just how important they feel it is.

In 1 Corinthians, verses 4-8 and verse 1, the idea of love is also conveyed as a very important part of a Christian's life. Is says 'Love is patient, love is kind. It does not boast, and it is not proud. Love is not rude, it is not selfish, and does not get upset with others. Love does not count up wrongs that have been done. Love is not happy with evil but is happy with the truth. Love patiently accepts all things. It always trusts, always hopes and always remains strong. It never ends. So all three things continue forever faith, hope and love. And the greatest of these is love.'

The message of love is all through the bible, and I think it is probably one of the most recurring things in there. When Christians say love, they don't mean Eros, Ludis, Pragma or Mania, they mean Agape, Philo and Storge. They don't mean teasing, flirting, logical love, smothering love, or sexual love, they mean friendship love. Christians think you should care for one another as though they are family; you should care about their wellbeing, and want the best for them, you should be understanding, you shouldn't be critical, you should just care about them and hope for the best for them. You should love others enough to help them when they need it, and not turn your back on them.

Non-Christians have also tried to sum up love, and I was looking at things people have said about love, and one quote seemed to stick in my head, because even though it wasn't long, it gave summed up how a non-Christian may feel about love. It talks about trust. 'Love is giving someone the ability to destroy you but trusting them not to'. This quote is talking about deep meaningful love, not really Eros, Ludis, Philo, Storge, Pragma or Mania, but Agape. It is saying that when you let someone into your heart, then they can hurt you, but if you let them in in the first place, you must trust that they wouldn't hurt you.

The second quotation from a non-christian tries to explain what love is. ' What is love? When we claim that it's love we have for someone are we correct? Something to ponder upon….are your palms sweaty, is your heart racing and is your voice caught within your chest? It's not love, it's like. You can't keep your eyes or hands off of them, am I right? It's not love, it's lust. Are you proud, and eager to show them off? It's not love, it's luck. Do you want them because you know they're there? It's not love, it's loneliness. Are you there because it's what everyone wants? It's not love, it's loyalty. Are you there because they kissed you or held your hand? It's not love, it's low confidence. Do you stay for their confessions of love because you don't want to hurt them? It's not love, it's pity. Do you belong to them because their sight makes your heart skip a beat? It's not love, it's infatuation. Do you pardon their faults because you care about them? It's not love, it's friendship. Do you tell them every day they are the only one you think of? It's not love, it's a lie. Are you willing to give all of your favourite things for their sake? It's not love, it's charity. Does your heart ache and break when they're sad? Then it's love. Do you cry for their pain even when they're strong? Then it's love. Do their eyes see your true heart and touch your soul so deeply it hurt? Then it's love. Do you stay because a blinding incomprehensible mix of pain and relation pulls you close and holds you there? Then it's love. Do you accept their faults because they're part of who they are? Then it's love. Are you attracted to others, but stay with them faithfully without regret? Then it's love. Would you allow them to leave you, not because they want to, but because they have to? Then it's love. Would you give them your heart, your life, your death? Then it's love. Now if love is painful and tortures us so, why do we love? Why is it all we search for in life? This pain, this agony? Why is it all we long for? This torture, this powerful death of self? Why? The answer is so simple, cause it's… LOVE. It is such an addiction that even people who are not having it wish to experience and share it.' This is more of a depressive view of love, it suggests that love equals pain, and that may not always be true, because love is a mixture of happiness and pain. However, I do agree with the general idea of the quotation which is that there are a lot of different things that may make you think youre in love when youre not.

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