The cask of amontillado

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in our day I turned in my application to the sherman oaks castle park in sherman oaks off the 101 on sepulveda. I first acquired the application on Friday when I drove out there. You see I discovered this particular place was hiring because I looked at the job openings listing in the glendale college something or other office. I happened across this one which is titled the assistant park maintenace assistant or something like that and another one as a server at a mexican restaurant on glenoaks called casa de ramos I think. well im sure you already know how I feel about working in restaurants. I am fuckin sick of it. So I went out of my way to go to that sherman oaks castle park like I was telling you. Well… like I was saying, everything was going smoothly. I filled out the application on Friday, today is Wednesday, january , 00 like the stupid auto correction piece of shit software told me it was, and I decided that I would hold off on dating the stupid fuckin application. So… I get to the sherman oaks castle park just fine, maybe sometime around three thirty and I take the keys out of the ignition then realize I have to date the application. So I took the pen out of my pocket where it almost always is, it isnt in there if im writing with it or if im sleeping or if I forgot to put it in my pocket, and I date the stupid mother fucking piece of shit. So I get out and take the application to some mother fucker that doesn't even work at the park. as I hand it to him I ask him… you guys are hiring right? And the dude says well… I don't know… maybe the los angeles county park and recreational some mother fuckin beuarocrazy or some mother fuckin organization that fronts some do-goody mother fuckin shit but theyre really a bunch of drug dealing cannibal prostitutes. Yeah well aside from the obvious… so im like… ok great… thanks a lot… then I walk around the arcade cause you see, this place when you first drive into the parking lot theres a batting cage to the right and then there some ugly ass looking, fake bridge looking sidewalk deal that makes you think youre crossing some impassable moat but its really just some elaborate drug channeling water fountain arrangement that fronts as a miniature golf course… I swear these fucking entreprenuers are fuckin brilliant, they can make fuckin baby eating cannibalism look legitimate as long as theyre wearing a burgandy polo with a mother fuckin pin that says yeah mother fucker, my name is fuckin blahblahblah and I work at fuckin the amusing parts of your asshole. Then when you get across that fuckin moving cesspool of eroding golfballs and human waste you actually enter this castle… right there when I first walked in there was this dude with a green hat some fuckin high and tight white booty shorts, sandles over socks, and a grey tank top playing this drumming game or some shit. He looks like a fuckin genius but it's the fuckin tanktop that burned him down… so hes banging away at this machine with these drumsticks attached to the arcadebox with some chains and one stick is way shorter than the other maybe like three inches shorter and hes hittin this thing and his friends all excited and it looks like hes doin pretty fuckin good… so I walk right up behind him and watch him and as soon as I stop my stride… he loses… oh well fuck him. So its this arcade right through the front door then straight maybe about fifty feet from the fuckin royal gates theres the ticket prize counter… now today there there was some dude with a hat and some button up dark grey work shirt fucking a box or something… hes the one I handed my papers to so yeah… I feel pretty good cause I got that one application out of the way and I decide that im going to play some games since im here anyways and I don't really have anything to do. So im walkin around and I see ms pac man and im fuckin stoked and have a hard on… people look at my crotch but im like hell yeah bitch its fuckin ms pac man mother fucker oh yeah mmm yeah… I walk up to the fuckin machine and it says… TOKENS ONLY mother fucker… fuckin tokens only what a fuckin shithole of an arcade… fuckin twats… so I say ok fuck it ill just go home and masturbate. So I walk back to my truck eyeing some fuckin fat ass broads backside so I put my hands in my pockets to give my groin an enhancement to go along with the visuals… I put my hands in and rub slowly… then I notice something… ahh shit dropped my keys in the arcade… I half turn then say wait… oh mother fucker I left them in the truck piece of shit! So look in the window and sure as a crack smoking prostitute on main st in san diego near the 5 over pass next to the navy base where that gas station is there they fuckin are… right there on the mother fuckin grey pleather seats. SON OF A BITCH!! So im getting all hot and pissed off and im walkin back into that shithole of a depressing happy fun land. I walk up to that ticket prize exchange counter thing and theres that guy fuckin the box on the ground still… then some tall buck toothed spikey haired retard of a jason timberlake lookin dyke walks up to the counter and gawks at me. I tell him, hey you got a wire hangar or some sturdy wire… hes like what the fuck? We don't have those as ticket prizes oh shit wait why would he want to need that? So he asks me, what do you need that for? I locked my keys in my car and I need to jimmy the door… so right in the middle of car he says oh I cant help you there… so im like ok fuck you asshole you fuckin piece of shit, fuck you… thanks… so I walk out to the batting cage area and theres this dude kickin balls back into the ball return for the pitching machine hes says someshit to me that sounded like, you want go hit there? I was thinking what the fuck did you just say to me?! No Im wondering if you have a coat hangar or some kind of thin metal thing that I could use to jimmy my car open… hes like, do you have AAA or some cash there are some pay phones over there if you want you can call them up and they can help you out… do you know where security is right now? Dude… security doesn't come until five oclock… I was thinking it was some time around fifteen til four. Or someshit like that… so I start walkin I guess east on sepulveda towards ventura. Theres this dude right outside the parking lot that's workin on his car or tying down his front license plate and bumper or something… he smells kinda fucked up. Hey man… do you have a hanger? What?.. I don't… do you have a hangar, a coat hangar. I sorry I don't unerdstan… great hes a fuckin dumb ass… just my luck… so I set out towards ventura… im passing by all these fuckin things like fences and telephone poles… there! All metal wires all over the fuckin place… now all I need are some fuckin wire cutters or lock cutters… yeah… thatll come by just walkin around. So I walk and walk on and on passing by all these cars and im lookin at the antennaes like… damn… that would be perfect. I just need to unscew one and I can fuckin go home… nah… I shouldn't do that… I don't even know the people that own the cars… they've never done me any wrong… why should I fuck up their shit and I don't harbor any ill feelings towards them except that they have theyre fuckin car keys right in their pocket right next to their cocks or their muffs… anyways… so I just walk and walk and at first I had no idea where I was then I see Ventura… damn… Im way the fuckin hell out here? On the corner was the fuckin galleria… im thinkin… fuckin great… what the fuck am I gonna do… so im rounding the corner of sepulveda and ventura around the oh so pretty water fountain that's surrounded by stairs in front of the gay-leria and im lookin at all the people sitting there eating their late lunches or early dinners just sitting there lookin at me walk around the corner… then I say fuck it if I cant solve this problem right now im gonna have a look around… so im walkin around and im thinkin god damn… all these people look fuckin stuck up and rich… jesus… look at that ass… mmm looks scrum diddly fucktacular. So I see these escalators that go up… so I go up… theres a theater there… that's it… shit… ill go up somemore… ok great. Its just the next floor of the fuckin theater… wonderful. So I go back down and see some bathrooms… maybe I can find a wire hangar or a slim jim in the bathroom… yeah that's exactly whatll happen… heh… bullshit… it's a fuckin pristine bathroom that has never ever been used before… the fuckin urinals still had plastic on them like those crazy lookin dining chairs… the ones with the crazy fabric on them now but it used to be like red velvet or something not as luxurious as that. All right… there isnt shit there… so I walk around the mall some more… hey that chicks cute… yeah theres some ass right there… next thing you know im walkin into the parking structure trailing behind some japanese chicks and this black guy standing there laughing and jokin and carrying on with them really briefly while they walk passed and the girls are all giggling for a split second really authentic then in a flash theyre fuckin deadpan like they just walked out of a funeral parlor where the corpse was accidentall knocked out of the casket by the nieces and nephews… hangin half way out of the casket all stiff and plastic looking while the flower wreaths are tumbling over from the survived trying to right the dead body… so I walk into the parking lot like… yeah… let me get up in my hoopty ride with a bunch of fine ass bitches yo… and I walk out through the car exit with the mechanical arm and the toll ladies or the old toll man that looks like the bridge troll from the three goats or whatever fuckin fairytale/fable that was. I walk out and thinkin… great I just totally lost my fuckin bearings right there… so I look to my left… it's a freeway… im thinking that it's the 101… so I walk right… sure enough right there… the first cross street is sepulveda… great… im NOT in a timewarp… then I head out back east… I end up passing the fuckin castle again… and over the sad looking concrete bedded la river… looks more like the square tunnel back in san diego… just a fuckin huge ass sewage drain… I walk way out east… passing the firestation… I look through the front door of the fire station from the sidewalk… ahh I cant see shit… I wonder if these guys that saves peoples fuckin lives will help me out… and I come to the conclusion that I just don't want to be disappointed since joeys gonna be a fireman… I just keep my stride… I forgot to mention… back before I passed the casshole just as I walked out of the fuckin galleria parking structure I was look at those car antennas again… then theres some old ford explorer or some fuckin shit an old trail blazer and I give the antenna a twist while in the middle of walking… oh shit… it fuckin moved… I look through the windshield of the car right behind it and theres a fuckin dude in the driver seat with fuckin binoculars… I could hardly see him cause the windows were tinted pretty dark… but im like what the fuckin is that… is he some kind of undercover cop or someshit? Maybe hes some freelance detective trying to get the scoop on some heartbroken bitch's ex boyfriend or husband and shes trying to get the evidence to get a divorce and hopefully come out with more than just fifty percent of all the shit that he owns and the shit the she owns that he bought for her. Oh well... im thinkin its just a good thing that that fucker wasn't a fuckin narc whos job is to get the spring on people with the good fortune to lock their god damn keys right in their truck right in front of the fuckin place that theyre lookin to work in and arent even fuckin hired yet. So im walkin on and shit… and I pass by some fuckin

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the recruit

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"The Recruit"

James Clayton was discharged from the "Farm" because he let his emotions take over when an abduction was simulated on him while he was still at the "Farm". After he was discharged, Clayton was approached by Walter Burke and offered an assignment with the CIA. Burke explains to Clayton that he was not really discharged from the CIA. Instead, he was made a Non Official Cover Operative and his assignment was to spy on a fellow CIA agent Layla Moore. Moore was also training at the "Farm" during Clayton's stay there. Clayton had a romantic interest in her, so when he was abducted, and his abductors threaten to harm Layla, he completely went out of control and was released from his training.

.Burke tells James Clayton that the CIA believes that Layla is a mole, and she is stealing information from Langley. Clayton's mission is to find out how she is transporting stolen information from there and he she was working for. He has to get as close to Layla as he can while work at Langley as a data analyst. Burke told Clayton that he had already been paired with Layla ever since they were still at the "Farm" together. They both are orphans; Layla was adopted by her foster parents, and James' father had been missing ever since he was a young boy. Burke tells James that this similarity will bring him closer to Layla.

James become romantic friends with Layla. He tries to log onto her computer when she was away for lunch and nearly escapes getting caught. He successfully logs onto Layla's computer at her home when he spends the night at her house. This is when he really believes that Layla Moore is a mole. Layla then starts to notice that Clayton is acting very suspicious. In response, she plants a small bug on his pants. Finally he discovers who she is working for by following her to the subway station. When he followed her there, he sees her hand off the stolen information to a man. Clayton follows the man, and it turned into a dangerous chase that leads from tunnel to tunnel. Eventually he catches up with the mystery man, and they fight. This is when James realizes that the man is Zack, a fellow trainee from the "Farm". As the two men were wrestling each other for the gun, James accidentally shoots Zack, and he dies instantly. The police discover the murder, and they pursue James; his CIA training paid off, and he escapes without incident. After he leaves the subway station, he meets Burke and tells him what he saw, and Burke gave him the option of quitting his mission then and there. Instead of opting out, James pleads for Burke to let him stay on the mission.

James waits on the side of the freeway for Layla to drive by after work. She finally drives by him, and he follows her and forces her to pull over. When she tries to escape, it turns into a high speed chase which ended with Clayton hitting Moore's car, and she loses control of it. He demanded for her to give him the information she stole. She tells him that it is her assignment with the CIA to steal that information. The CIA wanted to test how easily information could be smuggled out of Langley. Of course he does not believe her and takes the information chip from underneath her coffee mug and leaves to confront Burke.

Burke tries to persuade Clayton that all of what just had happened was a simulation, but James did not buy it. He refuses to give Burke the chip; as a result, Burkes comes after Clayton, and the chase leads into an abandoned warehouse. Eventually, CIA agents arrive at the warehouse looking for James. Burke thinks that they are after him, so he tells them the whole story about his betrayal to the CIA. He realizes that he just blew his cover and makes a ditch effort and tries to shoot the agents. Before he could even fire a shot, the CIA agents take him down. Layla Moore was telling the truth after all, and James Clayton had been conned into working for a traitor of the CIA.

I believe that some of the training procedures that were practiced at the "Farm" are plausible. For example, the combat training where they try to knock each other down to the ground was very believable. It did not seem like something bizarre that the CIA would not do. Learning how to defend yourself is a very important aspect of becoming a CIA agent. Being an agent can be a very dangerous job, so all CIA agents should have knowledge of self-defense. It is just common sense that these CIA trainees take self-defense courses. I think that the simulation of bugging a home is not as believable because it just seems a little too fictional and Hollywood to me. It is something the film industry created to captivate the audience's attention and imagination. What seemed kind of weird to me was that the trainees had so much freedom within the "Farm". Take for instance, the scene where Layla gets bored one night and goes and practices her shooting skills. I do not think that she would have the ability to do that if she were at a real CIA training camp. What I also cannot believe was the scene where Walter Burke and some other agents view the recruits playing poker from a different room. I believe that in reality, there are surveillance cameras around the camp, but the agents do not monitor and observe the trainees like they did in The Recruit. Overall, only half of the techniques used at the "Farm" by the CIA agents are believable to me.

I definitely do not think that the mission "Pick up a girl. Actually, five girls" would really be used by the CIA in reality because it is irrelevant to their training. I do not understand how having the ability to pick up five girls would help them become good agents. It just seems to me that this scene was used to glamorize the idea of being a CIA recruit. That is something James Bond would do. Very well I might add.

The kidnapping and torture ordeal was just too far fetched for me to believe. I do not think that the CIA would do such a thing to their trainees. It is too brutal and seemed very fictional. Personally, I think that scene was created to fulfill the movie-going audience's craving for violence. On the other hand, maybe I am just naïve. Maybe the CIA really uses this tactic to see how well the trainees can handle physical pressure. Maybe this is a way for them to weed out the physically and mentally weak.

I do not believe that the CIA actually goes out looking for recruits and indiscreetly approach civilians asking them to apply for the CIA. What I think happens in reality is that people apply for a position in the CIA, and there are no recruiters for the CIA. They will waste too much time and effort if they thoroughly research and pursue candidates as they did in The Recruit. They probably already have too many people applying to become agents as is, so the act of going out in public and recruiting someone is needless. The scene where Walter Burke approaches James Clayton is completely fictional to me. That was a stereotypical scene of spy movies.`

The written examinations were plausible because just like applying for a regular job, many times job candidates have to be tested for their skills and knowledge. The CIA cannot afford to hire dumb people to work for them. If they do, then America is doomed. The candidates have to be tested for their intelligence. Although, I do not think that it was just their intelligence that was being tested in the examination during the movie. I would think that they would be tested for logic and mechanical skills. Most likely, a portion of the test would be reserved for the testing of their observation skills and method. After all, the objective of a CIA agent is to gather information. I do not think that the real CIA would have put up with James' smart-ass responses because he obviously is wasting their time. If he really wanted to get a position in the CIA, then he would have been sincere and serious. Even if he did very well on the written part of the examination, I do not think the panel of interviewers would have let him stay for long once they get a taste of his personality. The last thing they want is an insubordinate agent.

I really think that the CIA agents would be trained how to lie on polygraph tests, but not recruits. The test just measures your heart rate, so if you stay calm during the test, you can lie without getting caught. In other words, I do believe that a person can lie during a lie detector test and not be detected, but I do not think that the recruits would be trained how to defeat the test because it is too early to train them to do that type of thing.

I think that Rapid Eye Movement test really exists, but I do not think that a person can be trained to fool that test. that test detects the dilation of the subject's pupil, and I do not think that anybody is capable of controlling the dilation of their pupil without the help of drugs.

I do not think that the technology today has advanced enough for the creation of a transceiver that decays and disappears in forty-eight hours. I think that that was an example of a fictional gadget used to make the job of a CIA agent appears "cool".

The stars on the plaque inside the CIA headquarter at Langley are not believable because I do not think that there are any reason to replace the agents' names with stars. Those people died for a heroic cause and the CIA would have wanted to honor and distinguish them in a way where people recognize their names. I think that the stars were just the movie producer's attempt to mystify the audience, and make them question whether one of the stars could belong to James Clayton's father.

I believe that the post-farm plot could not have happened in real life. The Central Intelligence Agency is just too careful and secure for a man, such as Walter Burke, to solely create a fake job for a fake agent and then employ him at Langley. I do not think it is possible for an agent to do that type of thing within the CIA.

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Gergerherherh

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The Industrial Revolution and Its Societal Changes

... This book gives opposing viewpoints on different aspects of the industrial

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The Industrial Revolution and Its Societal Changes

... This book gives opposing viewpoints on different aspects of the industrial

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Books by William (edt) Dudley

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Opposing Viewpoints Series

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Please note that this sample paper on gergerherherh is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on gergerherherh, we are here to assist you. Your persuasive essay on gergerherherh will be written from scratch, so you do not have to worry about its originality.

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Critically consider why signs are sociologically meaningful and their meaningfulness within everyday social and cultural circumstances.

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This essay will show that contemporary consumers are faced with signs, images which represent consumption of lifestyles which have been commissioned by advertisers. When referring to signs in this context, the word can be regarded as facets of everyday lives which have been constructed from market research by people such as advertisers. Signs are what we inherently face in our lives as they individually effect us- how we perceive a depiction of a naked child or advertising for exclusive brands differs due to our sociological context's heterogeneity. Therefore the meaning of signs ultimately change within everyday social and cultural environments due to different, personal consumer circumstances. Consequently it is the differing impact on individuals, due to different contexts, that allows for sociological meaningfulness as consumerist acknowledgment of signs provides feedback regarding consumerist trends in our cultures.

Before analysis of how consumerist signs are sociologically meaningful, we need to understand what signs really are and what they represent. A definition can be seen through the work of Tony Thwaites. A sign is viewed as anything that produces meaning. Signs comments on the world whilst simultaneously existing as objects. They convey and produce meanings (Thwaites, Tools for Cultural Studies, an introduction, 14, 7). Once this is understood, it can be applied to consumer and pop culture as it contains many of its own signs which, once interpreted, provides meaning for sociologists.

There are many sides to contemporary culture that have been informed by and can be seen through a system of signs. Our world can be analysed by sociologists through examination of these signs and consequently they determine their social and cultural importance. Signs play a large part in the consumerist realm of society due to our unconscious ability to recognise them. No other form of images confront us so frequently (Berger, Ways of Seeing, 17, 1). Advertising, as visual images, due to their density, allow us to briefly absorb these messages whilst they simultaneously stimulate our imagination's (Berger, 17, 1). Therefore, Berger argues, that publicity and the importance of signs belongs to the moments. Publicity images belong to the moment, but simultaneously refer to the past due to the consumer market's history (Berger, 17, 1).

This is akin to Thwaites concept that within signs the content is an essential feature. A sign's content is meaningful due to their reference to something. Much of contemporary marketing is dependant on their reference to something, other element's of lifestyles, as it conveys information about the advertised product whilst allowing consumer's minds to associate with other social constructs (Thwaites, 14, 7-10). Without this reference to other facets of society, advertising would be captured in a cyclic self-referential spiralling demise. Berger states that 'publicity is in essence nostalgic', that its reference to signs of quality and craftsmanship are bound to the retrospective and the traditional- 'it would lack both confidence and credibility if it used strictly traditional language' (Berger, 17, 1). A sign's referential function is important for contemporary culture as advertisers invariably attempt to invoke a connection or relationship with their prospective audience through commonly recognised signs (Thwaites, 14, 10). Therefore the principal feature of the sign is their ability to seek to establish relationships; within consumer culture, this is the connection between the sign, the advert, and the consumer's wallet. It is this element that his been harnessed by advertisers publicise the images they are trying to promote. People will ultimately notice a particular image or feature of society or sign, which corresponds to their interests (Berger, 17, 10). Sociologists therefore need to recognise that different advertising by groups represent differing social and cultural circumstances which is ultimately passed on into the buyer-seller relationship.

The formulaic nature of signs is important for sociologists. The recognisable structure they follow allow for a reliable medium for sociologists to determine everyday social and cultural consumerist practices signs (Thwaites, 14, 7-). The modern signs of consumption allows a representation of subcultural groups to emerge to sociologists. Due to our repetitive exposure to consumerist signs we are very aware of what sort of texts we witness- almost certainly we realise this before we start due to their visible structure. Signs suggest ways in which they may be read as they cue certain codes for interpreting them signs (Thwaites, 14, 11). Signs establish a complex set of expectations which may thwart as much to satisfy the expectations of the consumer. This is meaningful as different cultural groups would consequently act differently to the predicability or unexpected sign elements.

Joanna Finkelstein demonstrates within "Slaves of Chic, an A- Z of consumer pleasures" that signs of our consumerist culture alter lifestyles and consequently they are sociologically meaningful society. Long term commercial decisions are made on our consumerist habits- our tastes no longer are from our making, rather have been formed through advertising workshops (Finkelstein, Slaves of Chic, an A- Z of consumer pleasures , 14, ix-xiii). It is evident that the consumer products are clearly signposts, signals of cultural and social circumstances which sociologists should be aware of. Finkelstein uses two separate, but similarly valid examples of the Filofax and the culture of exercise.

The Filofax has been marketed as a useful product to keep better records where immediacy of knowledge and control is a primal feature. What sociologists can witness is societies weakening of memory, the prevention of mental links and the taking for granted of habits and practices (Finkelstein, 14, x-xi). Sociologists can gain meaning from the fact that socially people have lost control, lost purpose for actions whilst subliminally, choices are no longer their's to control. Therefore the Filofax is a sign as it represents the endemic dependence of society on learned and acquired desires, pre-defined by advertisers.

Sociologists study cultural trends and the signs which inform and construct these trends. Consequently, an understanding of the base for the trends is needed. Finkelstein attributes the rise of exercise culture to the convergence of physical shapes of men and women, and a consequent sexual desire to differentiate between the homogeneity of body forms (Finkelstein, 14, 7-).

Finkelstein labels exercise as a sign to explain the use of lycra gym wear as an exaggeration of the sexualised gender which defines the gender distinctive body (Finkelstein, 14, 8-). Therefore, exercise culture is meaningful to sociologists as they can explain the newly cultivated sexuality of modern society. We must consider signs, such as exercise, meaningful, particularly to sociologists, as they represent a new culture within society which is concerned with public image (Finkelstein, 14, 10).

Madonna, a self made celebrity, reveals the importance of signs as she herself acts as one. When she as a singer-songwriter-actress-model is examined sociologically she gives meaning to issues of female empowerment in patriarchal industries whilst simultaneously providing meaning to the Madonna based culture that surrounds her (Tetzlaff, The Madonna Connection, 1, -56). What is important is how Madonna culture, has reduced her music to an irrelevancy. Fans and critics alike infrequently comment on music rather than on her image and lifestyle choices. Tetzlaff tries to provide meaning for this phenomenon of Madonna's public longevity (Tetzlaff, 1, 41). His argument boils down to her ability to 'retool herself and (her) screen persona' whilst leaving no consistent point for fan attachments (Tetzlaff, 1, 4-4). Madonna acts as a sign of individual power in a highly competitive market.

Tetzlaff, throughout his account of Madonna, supports the debate of John Fiske, that Madonna ultimately is a sign as she produces meaning for her fan base (Tetzlaff, 1, 4-45). The Madonna image provides her young female fans with semiotic tools to create a self understanding, thus breaking from patriarchal society. Therefore some of her personal autonomy ultimately is transferred to her fans. The themes of Madonna's life, whilst not vocalised in her films or music can be seen in a 'metatextual narrative' of her management of her own career, her quest for fame and independence from the patriarchy of America (Tetzlaff, 1, 48-56).

Therefore, signs are important for sociologists as their consumption in contemporary culture provides trends for studies. Different social and cultural groups interacting with said signs similarly provide information about consumerist trends for sociological studies.

References

Berger, J. 17 Ways of Seeing, Penguin, London. Chapter 7.

Finkelstein, J. 14 Slaves of Chic, an A- Z of consumer pleasures, Minerva. Kew. Introduction and Exercise.

Tetzlaff, D. 1 Metatextual Girl patriarchy. Postmodernism, power, money in C. Schwichtenberg (ed) The Madonna Connection, Allen and Unwin, Sydney.

Thwaites, T. Et al. 14 Tools for Cultural Studies, an introduction, Macmillian, Melbourne, Chapter 1 & .

Please note that this sample paper on Critically consider why signs are sociologically meaningful and their meaningfulness within everyday social and cultural circumstances. is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Critically consider why signs are sociologically meaningful and their meaningfulness within everyday social and cultural circumstances., we are here to assist you. Your cheap custom college paper on Critically consider why signs are sociologically meaningful and their meaningfulness within everyday social and cultural circumstances. will be written from scratch, so you do not have to worry about its originality.

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Shakespeare's Othello-the emotions of othello

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The Emotions of Othello

The motion of this play was based on the relationship or the friendships between Othello, Iago, and Cassio. Although the women in this book played a large role in adding to the vengeful, powerful feel in this play, it all ceased from the relationship between the three men. This play was filled with many different emotions, given by each of the characters when they interacted with each other. The emotions that mainly evolved in this play were Power, jealousy, revenge and very questionable love between the characters. This story shows how power is such a strong desire of people, that some will stop at nothing to get it and hurting people is an option if they have to do it.

This all began with Othello, who is the main character in this book. Othello was a Moor and a General in the Venetian army. He was a very powerful man who made large decisions, one decision which he made changed his life forever. Othello was very trustworthy and trusted. He had so much trust in the people that he was close to, that it affected his life and he believed many things that he should not have. Because of an overabundance of trust and belief in others, this caused him to become a rageful, jealous man. All of his better characteristics were pushed aside deep down in his soul and allowed the worst to get the best of him. All of this jealous rage in Othello came from the lies that the manipulative, evil Iago had told Othello of his wife Desdemona. Iago is Othellos standard-bearer and he came to hate him, which led Iago to set up Othello and make him pay by destroying his love for his wife Desdemona. Iago had become jealous towards Cassio and vengeful against Othello. He had became this way when Othello appointed Cassio as Lieutenant in the army and not him. Iago felt that he deserved that position as Lieutenant more than Cassio did. Iago also felt that Othello chose Cassio over him for that position because of the friendship between the two.

Cassio is a dear friend of Othello and Desdemona. Cassio was friends with Othello before he came to meet Desdemona. Cassio is the person who got Othello and Desdemona together. Othello and Cassio can be looked at as best friends. Since them being friends for so long, the relationship between Cassio and Othello would be expected to be very close and trusting towards on another. Although, what happens in this play questions the friendship between Cassio and Othello. In theory, Cassio not only received that position because he was a close friend of Othello, but because he was more educated, better looking and more skilled than Iago was.

Essay help on Shakespeare's Othello-the emotions of othello

The whole downfall of Othello and Iago is caused when the evil and manipulative one goes and tells Othello a lie about Desdemona. Iago feels that the only way to destroy Othello is to destroy the relationship between him and his wife and the friendship between Cassio and Othello. It is known that Desdemona is Othellos strength and she makes him what he is and he is nothing without her. Iago thinks that if he can destroy their relationship that Othello will automatically become weak and feel that he has nothing to live for and just give up. He tries to destroy the friendship between Cassio and Othello, so that he can take the title of the Lieutenant away from him, and probably be left with no choice but to give that title to Iago. Basically, that is two strikes in one with Othello and will most likely have him to fall and loose his power. What Iago does to complete this mission is that he tells Othello that his loving innocent wife is having an affair with his appointed lieutenant and close friend Cassio. He tried to lead Othello to believe the two were having an affair in Act . sc. . Iago says to Othello to make him suspect they are having an affair Look to your wife; obsevere her well with Cassio,..

At first, Othello does not believe that the love of his life Desdemona would commit such an unfaithful act, and he asks Iago for proof. In Act . Sc. , Iago says to Othello I speak not yet of proof. At that time, Iago had no proof. Iago went on and on about how Desdemona is flirtatious and how she was not what Othello thought she was, but yet Othello still did not believe him. Of course the idea never left his mind about what Iago lied to him, but it was not a fact to him. The thing that sparked the situation between Othello and Desdemona was when he caught Cassio with the handkerchief. This handkerchief had sentimental meanings between the two of them. Othello gave Desdemona this handkerchief when they first meant to express his love for her, or just his feelings. His mother gave it to him and he gave it to her. When he saw Cassio with that same handkerchief, he though that Desdemona gave it to Cassio, which made him become enraged with jealousy and suspicion. What really happened was that Desdemona misplaced that handkerchief, and Emilia recovered it and she was not going to return it. She gave it to Iago, and Iago gave it to Cassio. That is why Othello saw him with the handkerchief. After that Cassio gave it to Bianca and told her to make a copy of it, and that someone would be back to claim it. Othello spoke to Desdemona while lying on her deathbed about the handkerchief. He mentions to her in Act 5. sc That handkerchief Which I so loved, and gave thee, thou gavst to Cassio. He immediatley accused her of giving it to Cassio, by jumping to conclusions. She told him it was not so and he asked her where it was and she could not tell him, and this made him even more enraged, and he though she was lying.

Othello from this point on continually blamed his innocent wife for committing an unfaithful act, but he never came out and asked her if she had or was having an affair with Cassio. Othello had called Desdemona a whore in Act 5. sc. Out strumpet. This point here shows that Othellos trust was not as strong as readers may have thought it was. There was a lack of communication between the two at this time, because if there really was communication between them, then he would have asked her about it, and Cassio as well. There was also a lack of communication between Cassio and Othello. If they had a good friendship, they should have had a good communication level, which they could not of have or Othello would have asked him about the accused affair between Desdemona and Cassio. He never confronted Desdemona about the rumor, or Cassio. If their friendship was really that tight, ten he should have confronted him about it as well. Then again, maybe Othello was just so upset and hurt that any solution to this problem may have been blocked out of his mind. Although he did jump to conclusions about this whole situation, but I guess at that time everything was coming together about that thought, but it was all occurring just coincidentally. At this time, Othellos characteristics towards these characters had become questionable. It was like was her really the things that he was supposed to be to them. Did he really trust Desdemona enough to believe that she would cheat on him? Were him and Cassio such good friends for him to think that Cassio would do such a thing to him? Was Iago really not a trustworthy person, because Othello did not believe him in the beginning, but the though never left his mind. For Othello to believe Iago, before even questioning Cassio or Desdemona shows that Othello allowed Iago to manipulate him. Othello became weak and allowed Iago turn him into what he became, which lead to the death of his wife and himself. Not to mention the death of Emilia, wife of Iago and Desdemonas mistress.

Iago started all of this chaos with no good intentions at all. All of this was one great big set up and all planned out. Although Iago was looked upon as the evil one in this story, I think he was cool. I think that because he in a way he had the power to hypnotize people and made them believe everything that he said. Not only that, but most of the things that he set up went the way he wanted them too, making his whole plan successful. If they were dumb enough to let him do that to them all, then I dont see why he would have stopped. I guess that is the way that he though of the situation. If they believe every lie that I tell them, to get what I want I am going to continue to lie to them. That was the though of Iago, but it only ended up affecting him at the end of the play. He did get the satisfaction of manipulating Othello, Cassio and other characters, and causing chaos throughout the book. He at one point became the center of attraction, but at the end he seemed to pay for it all, not physically but mentally. Taking the lives of innocent people, just for power and out of revenge and jealousy. He was so desperate for power that he stopped at nothing to get it. He was satisfied at the end of the play, but he was forever going to live miserably, because of all the confusion that he cause, all the hearts he had broke, and all the lies that he had told. Othello before he killed himself tells Iago in other words that he will have to live with what he did, and Iagos response to that was Demand me nothing. What you know, you know. From this time forth, I will never speak word (Act5. sc.). What he meant by this was that whoever was involved with what went on are the only people who will ever know about it, because from that time on, he will act as if nothing ever happened.

The relationship between these characters have played an important role in the motion of this story. There was lack of several factors in these relationships, which caused the actions that took place. Many of these actions which were very dangerous and life threatening. Due to the fact that these relationships were so questionable, they caused these characters to act in different ways creating the endless motions of revenge, jealousy and hatred between them all. These feelings which never were discovered until the climax of the play, had to have always been there deep inside these characters towards one another. Although there is still a question about that. The question that stil remains is were these feelings really rooted in these characters towards one another, or did certain actions taken by them cause these feelings to come out against them? The relationships between them have changed over the course of time, and this was only caused due to the actions that these characters have taken. Friendships can seriously be dangerous if there is a struggle for power between each of the friends. A person will do anything for power, even if it means hurting others.

Please note that this sample paper on Shakespeare's Othello-the emotions of othello is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Shakespeare's Othello-the emotions of othello, we are here to assist you. Your cheap custom college paper on Shakespeare's Othello-the emotions of othello will be written from scratch, so you do not have to worry about its originality.

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