Dickens/Austen

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Dickens/ Austen Prompt

Jane Austen and Charles Dickens portray a marriage proposal in their novels which differ in rhetorical strategies. While Austen uses a more condescending and

non-intimate proposal, Dickens has a more humble and romantic approach to the proposal.

Austen's proposal begins with the phrase that reflects the selfishness and arrogance of his entire proposal "My reasons." Throughout the proposal Austen lists the reasons why he should marry, rather than listing what he has to offer her. His first reason for matrimony is simply that a clergyman "like [him]self should marry in order to set the example." He later adds that his patroness declared that a "clergy man like [him] must marry." Apparently, Austen sets himself on a high horse because of his status as a clergyman. Austen blatantly states, "I am convinced that it will add to greatly to my happiness." No where in his proposal does Austen add that he will bring joy to her life as well, proving that while Austen intends to win her hand in marriage, it is not likely that she is impressed by his choice of words. Further, Austen states, "and thirdly-which perhaps I should have mentioned earlier…"and right when the reader expects Austen to declare his undying love for the woman, he merely reveals that the main reason for his proposal is that his patroness convinced him to do so. Austen's proposal is obviously impersonal and unaffectionate because Austen discloses that his proposal is not something that he necessarily wanted but rather something he and his patroness felt that he needed. When Austen adds that his patroness asked him to "chuse properly, chuse a gentlewoman for my sake; and for your own…fund such a woman as soon as you can, bring her to Hunsford, and I will visit her," Austen reveals that this woman will be evaluated under the criteria of his patroness. The only point at which Austen compliments the woman he is proposing to is when he states "your wit and vivacity I think must be acceptable to [my patroness]." It is almost as if he is recruiting someone for a job rather than proposing to a woman. Clearly, Austen uses a cocky marriage proposal without ever appealing to the woman's emotions.

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Charles Dickens, on the other hand, uses a humble and emotionally rich proposal to win the heart of the love of his life. The second sentence in his proposal is simply stated "I love you." These three words contain more meaning and value than Austen's entire proposal, and Austen elaborates it by detailing the "tremendous attraction" he feels for her. He continues by describing the extent of his love for her by stating, "You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided…" The repetition of you could draw me and the hyperbolic ideas serve to emphasize Dickens' vulnerability and passion; he would do anything for her love. At this point the woman is likely enthralled and weak at the knees; Dickens is achieving his purpose. Dickens further convinces the woman of his love for her by stating, "But if you would return a favourable answer to my offer of marriage, you could draw me to good-every good-with equal force." Dickens states that all he needs to be satisfied and content is for her to share her life with him and agree to his proposal. In addition, Dickens explains why he wants to marry her, as well as expresses what he has to offer her, indicating that the selflessness in his proposal. He tells her, "You would want for nothing" in order to convince her of his intentions to satisfy her and make certain that she is fulfilled in their marriage. Dickens also includes that his "reputation is quite high, and it will be a shield for [hers]." Obviously, Dickens is not merely self-interested, but wants her to know of the advantages to marrying him as well. He appeals to her emotions by stating that he longs for her to feel pride in his work, and that he will "try hard that [she] should." Evidently Dickens puts this woman, rather than himself, on a high horse; he strives to impress her and convince her that he has admirable characteristics. Dickens emphasizes his love for her once again by declaring that the makes the proposal "with all [his] heart." By the end of the proposal Dickens appears to plead, "I only add that if it is any claim on you to be in earnest, I am in thorough earnest, dreadful earnest." The repetition of the word earnest implies that Dickens hopes the woman will understand and respond positively to his sincere proposal. This closing sentence is meant to "seal the deal," or finalize her decision. Obviously, Dickens' approach to the proposal of is far more touching and emotional than Austen's manner of proposing.

Jane Austen unsentimental and cocky proposal and Charles Dickens' passionate and selfless proposal differ enormously in their rhetorical strategies. While a woman who received Austen's proposal would be offended and unsympathetic, a woman who received Dickens' proposal would likely be crying tears of joy and bliss.

 

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(Every) day

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(Every) Day at 'The Home'

I have wondered for many years what event prompts decay of people as they age; it's as if their soul departs, leaving only a withered body and fading shadow of what was once a vibrant spirit. Favourite relatives can no longer remember your name, and do not even lift their eyes from the floor as they brood inwardly over some unknown subject. Although once eager to seep in each detail of interest, they now fall into troubled sleep. A sharp memory no longer recalls words communicated the previous minute.

And I have found that the truth lies not in the loss of memory, but in a sense of detachment from the present time, the loss of inseparable companions and ultimately the will to live. And one event above all others summons this change their removal to a nursing home, or some other 'care' centre. I find those very adjectives faintly ironic, as the very atmosphere is one that banishes all energy and resolve from the patient's heart. Existence in it, however, further works to remove all sense of dignity and independence, to humble and to humiliate until all resistance to this is dissipated.

This I have witnessed on multiple occasions, and has led me to form strong opinions on the importance of a approach to healing that focuses not solely on the physical condition of patients, but more so on their outlook and attitude to their circumstances. Watching loved ones being fed by spoons or through plastic tumblers is heartbreaking, as I watch seemingly invincible characters reduced to infants with these actions. A sense of pride is essential to the spirit of man, yet how this possibly be retained when these people are fed with plastic spoons, pulpy food oozing down the faded patterns on cheap nylon bibs? It is not that people become totally incapable, it is their final acceptance of what they are told constantly by those around them, which renders them hopelessly inept in all things.

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"Don't be silly Maggie, of course you can't walk, you'll have another fall."

It seems unlikely that she will make future steps when entrapped by this all encompassing web of doubt and negativity, which leads to self-doubt and a feeling of hopelessness. This is one of the things that make me dread visiting the Gran whom I love greatly.

Before entering the building, I first type in a code, making me feel like I am going into prison and wanting to turn back. I feel trapped. And once inside, I am met with a pungent odour of urine and disinfectant. I can taste death, but walking on I pass the dining room where a few souls sit round a table, turned in their wheeled- chairs to face each other, yet completely separate in thought and existence. On the opposite side of the corridor, a mass of bodies stare at a quiz show, hearing the words without actually listening to them. Each room identical, the patients contained in them are in various stages of succumbing to the inevitable. They will all break anyway.

A man scrapes along the passageway ahead, his Zimmer frame seemingly in resistance to his attempt to live freely. I imagine that this long aisle is the stairwell to heaven, then dismiss the thought. I don't believe that a god would let these scenes take place. The home appears like a stopping place before death anyway, a kind of link between life and passing away, but I realise that it could with work be a pleasant time instead of the Hell that has been created for them. I move on into my Gran's room. She is sleeping as always, perhaps dreaming of the past, but it is obvious to me that some of her old spirit still remains intact, and it is frustrating for me to be unable to rekindle this flame, which would surely drive the demons away. She stirs, and I call to her softly, and she opens her eyes without looking up. Searching for her glasses, I hear 'Kilroy' through the cheap hardboard walls and still the smell lingers. Breathing through my mouth only makes me nauseous. I ask her how she is feeling, and she replies

"When am I going home?"

For a while I tried to explain to her what has happened, but she forgets, so now I just tell her something to make her feel better. A pang of conscience hits me, but I assure myself that it's her happiness is more important than truth. She'll have completely forgotten soon anyway.

"Soon, this is just a place for you to have a rest. This is like a hotel, so you can just put your feet up and relax."

"Have I paid for this?"

"Yes, it's all under control, you don't think that we'd let you away with that, do you?"

She allows herself a faint chuckle at this and I can sense a resurgence of her past zest. Slowly, though it fades. Subsequently, Agnes peers round the door before scuttling off. She steals things, putting them in her drawer, perhaps in defiance of the system, and it is her who I see as the sole survivor after being put in here. Or maybe she has just gone crazy, but I like her for that.

And then Gran starts again.

"Will I be here for long?"

I remain patient, but it is hard to watch her inner struggle against a demon waiting for her cease clinging to hope and life. But this is just another visit, with the same smell, the same walls, the same sounds, the same questions and the same people. Something must change, I tell myself. But it's the same, always the same.

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Dancing the Supersport!

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Dancing The Supersport!

Good evening chairperson, judges, ladies and gentlemen. I am sure you are all aware of the fact that today's society is becoming increasingly aware of what is considered politically correct, and of the different groups of people who fall victim to discrimination. Unfortunately, one Australian stereotype that has not yet been declared politically incorrect is also the most ridiculous and insulting stereotype ever. The absurd belief, to which I am referring to, is that male dancers are effeminate.

The suggestion that male dancers are effeminate, and the fact that the majority of younger people in today's supposedly "modern" society would believe such a statement, is not so much an insult to male dancers, as it is to our entire community's ideologies. Such an idea is not only ignorant, and poorly grounded; it fails to conform with our country's ideals of equality and acceptance. No man should be made to feel ashamed about the fact that he dances. Anyone who is physically and mentally able to participate in a sport as rigorous and intellectually challenging as dancing deserves nothing but praise!

In this speech, I will compare the sport of dancing with one of Australia's most beloved pastimes, football; and in doing so, will demonstrate on three different levels that dancing is a far more masculine sport.

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In order to prove physical masculinity, men are expected to resist pain and endure injuries. Now, if football really is the more masculine sport, why is that we see images of whimpering men with torn hamstrings in the middle of a footy field on the local news, and why is it that footballer's injuries make headlines? I've never seen a dancer's broken ankle make the front page, and if a dancer did injure himself on stage, he would simply have to keep performing to the best of his ability until an understudy could replace him subtly. He would not dramatise the incident for a bit of media attention, as a footballer would.

On a scientific level, three main elements must be met for an athlete to be considered truly fit. These are, flexibility, endurance and strength. Unlike most other sports, dancing incorporates all three of these elements equally, and as a result, is one of the most physically demanding and severe sports in the world. Football, however, focuses next to solely on strength, and due to their lack of flexibility, many football players develop muscle and joint injuries, and because they are able to 'sub-off' the field, footballers do not possess the great endurance of a dancer, who may have to perform for up to two hours straight. The irony of this predicament is that in order to overcome their lack of flexibility and endurance, many professional football coaches encourage their players to undertake dance classes.

Finally, and probably most significantly, it must be acknowledged that the very nature of football suggests that its players are homosexually inclined. Sweaty men jumping on top of each other, showering together, and in 'special' circumstances, "hopwating" each other is definitely not macho. I don't think I even need to make suggestion as to what happens in the changing rooms. A more masculine sport would be one involving both males and females, requiring participants to interact with each other, and each other's bodies in order to win. Such a sport is dancing.

To conclude, I would like to draw a comparison between the two sports, just to prove beyond any reasonable doubt that dancing is undeniably more masculine than football

He was exhausted, but continued to dance. He knew that if for one fleeting second he showed the pain that was hammering through his limbs, the other couple would win. He spun her once, twice, before snapping her body against his. She was exhausted too; he could feel the sweat on her thigh and her heart beating against his chest. Suddenly he bent her back at a most awkward angle until all he could see were her breasts and stomach. He snapped her body against his one final time and they embraced. The music ended, he knew they had won.

And yet for some strange, and rather brainless reason, the majority of Australian's find this next scenario to be more macho.

He was exhausted, but continued to run. He knew that if he gave into the pain, the other team would win. He dove for the line and grounded the ball in the try area. He had won the game for his team! He was contented, but the glory he was seeking from this triumphant moment was yet to come, and then it happened; all twelve of the other sweaty men in his team ran over, touched him, hugged him…He was in heaven!

This may seem like a comical characterisation of football, however the scenario does carry with it a very serious undertone. I have proven that physically, scientifically, and most definitely sexually, dancing is far more masculine than football. So why is it that male dancers have been labelled homosexuals? The truth is that men don't find dancing to be as simple as running around a football field, or kicking a soccer ball into a goal, and to hide their own incompetencies, ridicule the men who are brave enough to attempt the arduous sport of dance. I say, GROW UP! And see dancing for what it is a truly intense, and masculine sport!

 

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Ecotourism

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Ecotourism is a façade and is bad for the environment. First of all, there are no local benefits. Almost all of the profit is sent to foreign countries, and the low paying jobs like tour guides are given to the local villagers. Secondly, some of the projects are fake landscapes. These artificial areas are just for show to the tourists so they come back, also the false landscape tends to harm the plants and animals that live in the area. Lastly, some of the nature reserves have big companies install projects. Huge resorts such as hotels, condominiums, shopping centers and golf courses are being established on the land being set aside for the environment. In conclusion, ecotourism is just a cover up for making money and does not support the environment.

Belize Vegetation

Belize has a very diverse and interesting vegetation. It has tropical vegetation with over 4,000 small plants, 50 types of orchids, and 700 different species of trees. Belize has a very fascinating Plant Kingdom. Below are just a few of the many plants in Belize

allamanda, allspice, annato, australian pine, baboon cap, bamboo, banana, barba jolote, basket tie-tie, bay cedar, billy webb, blackberry, black mangrove, breadfruit, breadnut, (ramon), bullhoof, cabbage bark, caribbean pine, cashew, cedar, coconut palm, cohune palm, cotton tree, culantro, dogwood, dumbcane, dwarf mistletoe, fig tree, flamboyant, ginger, guava, gumbolimbo, hog plum, horseballs, hot lips, jacaranda, jackass bitters, papaya.

Climate

The climate in Belize can be described sub-tropical. This means that the average humidity is about 8%. Belize has a temperature rage of about 10oC 5oC throughout the whole year. Belize has definite wet and dry seasons. The wet season in Belize is usually between May and November. The dry season is usually between February and May. January and December is regularly cool and calm. During the month of July the southeast trade winds average from 10 knots to about 1 knots.

Tourist Attractions

One of the most well known tourist attractions in Belize is known as the Blue Hole. It is a giant circular hole that in near the island Long Caye. There is a National Park which includes the area of 57 acres of which is mostly covered by primary and secondary forest. Next is the Maya Ruins. It has one of the oldest structures that are in Belize. There are hieroglyphics which are in script. There are methods of reckoning the past called long count. Another attraction is known as the Garifuna Village Projects. The members of this community of Punta Gorda have recreated a live museum in the form of a traditional Garifuna Village. The project includes restaurants, arts/crafts shop, and an artifact museum. Another is known as the Langhingbird Caye National Park. The Caye gets its name from the laughing Gull also known as the Larus artricilla. It was declared a protected area in 181 under the National Parks system Act. The Hol Chan Marine Reserve is a reserve most popular to snorkelers and divers. It is active with some of the most exotic creatures. A few other tourist activities are kayaking, sailing, swimming, hiking, skin and SCUBA diving, visiting the Ben Lowman cave, Manatee watching (on-site), Caribbean Sea and Turtle nesting sites, Creole Village of Gales Point, Barrier Reef and superb skin and SCUBA diving, Mayan history site, Bird Watching and Wild animal observing.

Belize Landforms

Belize is approximately 8,866 square miles. The northern part of Belize is mostly low-lying and swampy with very a dense tropical rainforest. The Maya Mountains are located in Southern Belize. The highest point is Victoria Peak which is 11m high. The Mayan Mountains has thousands of streams and rivers such as the Belize and Honda Rivers. The coast of Belize has a chain of small coral islands which forms a long barrier reef second only to Australia.

Major Exports

Main exports from Belize are sugar, fish products, molasses, citrus concentrate, garments, marine products, bananas, and forestry products. Taxes have encouraged the development of plywood and veneer manufacture, beer, rum, soft drinks, boat building, and battery assembly. Belize has a few dairy plants which has a capacity of 400 gallons of milk per day.

Natural resources

Belize has few natural resources. Some of them are timber, fish and hydropower.

Population

There is approximately 50,000 people living in Belize. They have a very large ethnic diversity in Belize which include Hispanic, Creoles (African-European), Mestizo (Spanish-Indian), Garifuna (African-Indian), Mayan, Anglo-European, Middle Eastern and Asian people.

 

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The home front

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THE HOME FRONT

1-145

1. How was everyday life in Britain affected by the wartime conditions with challenges like "the blitz"?

"Blitzkrieg"- lightning war, a swift intensive attack designed to defeat the opposition quickly.

College papers on the home front

"You must not be taken by surprise", warned a Ministry of Information leaflet issued as the threat of invasion loomed in Britain. Long before the war broke out families were introduced to gas masks, air-raid drill and bomb shelters, and mass evacuations were planned. The blitz affected the lives of men, women and children. Preparations for the war were stepped up in august 1. Upon the declaration of war, the BBC broadcasted on the radio that Britain is now in the state of war as the Germans are invading Poland, even though having been given an ultimatum. On the rd September at 11.00 the British declared war. Britain was once more at war.

Evacuations soon took place thereafter. Over three million people had left their homes even before the war was declared. In September alone, at least a quarter of the population also moved, they included up to 5,000 civil servants. All these people had to be housed, they were either sent abroad or to the countryside.

 

This war was going to affect everyone. Some of the first to suffer were the TV viewers. Watching a Mickey Mouse cartoon on September 1st. The service suddenly shut down and stayed off the air until 146. The blackout which began the same evening did affect everyone. No one was allowed to have light shining from a house. The aim was to make it more difficult for the German bombers to spot their targets.

Street lights were turned off; so were neon signs and shop lights. Everybody had to travel in darkness, all windows had to be blacked out with thick curtains, or anything else that people could get hold of. People disliked the blackout, with good reason. A survey showed that nearly one in five million people had an accident in the first four months.

Everybody was also expected to carry a gas mask at all times. Along side the gas mask you also had to carry your identity cards, which had to be shown on demand. Some children wore numbered metal bracelets. Incomes were cut, in 1; people could still buy as much food as they wanted as long as they could afford it. Britain imported a lot of food in 1, less got in during the war. German submarines attacked ships bringing in food from America. Some food were in short supply, as the rationing began, it made sure everybody had equal amounts and that a fair share of the food was distributed amongst the people.

Due to the air-raids the government issued shelters for people at their homes. First the Anderson shelter was "born", you needed to have a garden for this and less than 5% had one. Nearly 1.5 million shelters were distributed for free in September 1. As this didn't work that well, they introduced the Morrison shelter, which was a steel mesh box, accommodating adults and children. Over a million were issued.

ARP (Air Raid Precautions) was set up to cope with the problem that bombing caused. They went off when the sir raid sirens went off. They wore helmets with a white "W" on the front and went to check everybody's lights were dimmed, and that they were off the streets. Slogans like "make-do-and mend", and "dig for victory" were used to help people be cautious with the way they live, and to try and help themselves.

The lives of everybody was rapidly changed, although the war had it's downsides, it bought communities together helping them to help themselves and each other. Everyday life was dearly affected; men, women and children all helped with the war efforts.

. What role did the media play in the war effort on the home front?

Bombing raids, petrol shortages and blacked-out streets all meant that people spent a lot of their evenings at home. The radio served as a lifeline and just about everyone crowded round their set to listen to the nine o'clock news on the BBC Home Service. There were many children's programmes, helping them to get through the chaos of life during the blitz. For the adults the humorous comedy ITMA (Its That Man Again) - was a true phenomenon of wartime entertainment. Fast-moving, packed with wise-cracks and dottily British, the show proved more of a morale booster than any government propaganda.

To escape the claustrophobic atmosphere at home, people went to the movies. They were prepared to queue for hours to get in every week and in wartime Britain some 5-0 million cinema tickets were sold each week. The big picture houses with their grandiose names Majestic, Palace, Alhambra created dream worlds where for a few pence the dark streets and bombs could be forgotten.

The propaganda targeted the newspapers, news was censored and papers only published what government wanted them to. The same was true on radio and cinema newsreels. Sometimes the news was kept secret because it might help the enemy. Weather reports; stopped during the war. Propaganda also involved drumming a message home; the government had lots of these for the British people. Many appeared as newspaper adverts or on cinema screens. But, most of all, it was achieved by posters. Hoardings were everywhere, filled with government posters. Each one had its slogan; each had something to do with the war effort. Perhaps the most famous was "careless talk costs lives". The government was worried that there might be enemy agents living secretly in britain. Sp people were told not to talk about anything in public which might help the enemy.

 

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