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When reading a poem for the first time, it is fairly easy to view it on a literal level. Nonetheless, after analyzing the subtle complexities such as the purpose, tone, word choice, and figures of speech and how they simultaneously work together, the reader is hit with a whole new perception of the poem. William Stafford's "Traveling through the Dark" certainly holds this characteristic. The poem is about a man driving on a narrow road at night and his internal conflict triggered by an encounter with a dead deer along the road. He immediately leaves his car and walks toward the deer with the intention of rolling it "into the canyon." However, when he discovers that this deer has an unborn fawn, the man is struck with an instant conflict. Does he push the deer off into the canyon? Or does he leave it alone and save the fawn while endangering the lives of others that will travel this narrow road? Through various literary techniques, Stafford is capable of using a man's simple confrontation with a deer as an instrument for conveying a deeper message about nature.
In the beginning of the poem, the speaker strictly maintains an objective point of view, which sets a tone of detachment for the rest of the first stanza. He comes across a dead deer, and without hesitation, plans to push it into the canyon. This clearly indicates that the speaker holds no emotions whatsoever for the deer. A conversational tone is also thrown into the mix. The narrator is sharing and guiding the readers through his experience. He gives advice in line four, "It is usually best to roll them into the canyon." This supports his informal attitude and establishes a relationship with the reader in hopes of preparing and allowing the reader to think and feel the way he does.
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