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Joseph Conrad was born no ordinary man; rather, Conrad was born an idealistic aristocrat who educated himself into a very enlightened man. He was a strong man in his morals that believed that "the object of life was the perfection of individual conduct- the education of man's spirit." Individuals that knew Conrad stated that he "seemed to understand everything." In his perpetual understanding and search for perfection he came to the conclusion that "the sane view of life is not a matter of compromise." Conrad believed "every work of art had a profound moral significance;" therefore, he consistently wore himself thin trying to arrange his words in such a way as that they would "glow." Conrad would sometimes work so vigorously that he would become sickly with a fever. Conrad also never allowed himself to rely on memory for the setting of his story because he thoroughly believed in the "absorption, and the collection, of on the spot characteristic detail." Because of his sometimes blinding commitment to his work, Conrad is sometimes said to be " the undeviating artist, unsatisfied, treating his novels as so many surmounted obstacles on the path of an endless quest; impatient of admiration- as of so much else-yet never in doubt of the essential truth of his vision." Conrad once said, "I can't get anything out of myself quickly, it takes me a year of agony to make something like a book- generally longer. And, my dear fellow, when it is done there are not more than twenty people who understand." Perhaps that is the reason Conrad was well on his way to 40 before he published his first book. Although it is sometimes questioned whether "Conrad would have gained both in credit and in popularity if he had written what he had to written without incessant care for appearances." His stories most often developed into "political parables" filled with symbolism, although he never includes a plot; rather Conrad uses one of his "inextricable tricks of art, bye which suspense is scarcely concerned with actions, but with a gradually revealed knowledge of what might have happened in the making of a man…" " In General, Critical esteem of Conrad's work has scarcely wavered, few judges today would seek to set aside Dr. Leavis's verdict that Conrad is the outstanding exemplar in generation of the English novel's "great tradition."
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