Friday, November 13, 2020

Character Analysis of Alice Garrison

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Alice Garrison was one of the main characters of the play "I Never Sang for My Father" written by Robert Anderson. In her early forties, Alice Garrison was described as an attractive, realistic, and brisk woman with an outspoken mind. She left her parents, Tom and Margaret Garrison, to marry her current husband Sidney. Sidney, a doctor, was a man that Tom had disapproved of but nonetheless, Alice still married him. Alice's outspokenness contrasts with her younger brother Gene's indecisiveness.


Alice was just as stubborn as her father but and did not want to give in to his stubbornness so she rebelled against him. Alice saw through Tom's stubbornness and was appalled by it. She was also appalled at Tom's callousness towards Margaret's death. After Margaret's death, Tom did not want to disown Alice anymore and only wanted to get close to her, to love her again. Alice sympathized with Tom and even offered to help him find a full time house keeper to take care of him.


Gene on the other hand, a 40 year old teacher who loved his mother with all his heart and wanted to love his father. Gene was assertive when his mother, Margaret took control of his life, but at the same time wanted him to be happy. Gene wanted to move out west to California to get married to Peggy, a woman he met on his sabbatical. Tom had no one to live with nor did he have anyone to look after him. Therefore, Gene was reluctant to leave his father, even though Tom was a self-centered man who refused help from anyone.


Gene absorbed his father's condescending attitude and denial about his condition with passiveness. Whereas, Alice was the complete opposite- she spoke of the reality of his condition after Margaret's death, which was the last thing Tom wanted to hear. Alice had recognized that Tom had become a burden that neither Gene nor Alice should have to bear. In conclusion, there really was no resolution to Gene or Alice's situation. Gene moved out west and got married to Peggy. Alice and Gene took turns visiting Tom and Tom visited Gene on occasions. Both Alice and Gene put much effort into trying to love Tom but found it difficult because Tom had trouble getting close to anyone. Though Alice shared differences with Tom, she still loved Tom even though he disowned her. On one of Tom's visit to California, Tom had passed away. With no resolution in mind, Gene felt guilt inside that he never sang for his father. Alice on the other hand regretted not being able to love her father and it took her mother's death to bring her and Tom to talk to each other.



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Wednesday, November 11, 2020

KNOWLEDGE & TRUTH

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In Athens, Protagoras' books were burned and he was exiled forever because of his beliefs. Protagoras was a philosopher that believed that there is no absolute truth. He was a sophist; a teacher or professor that taught for a fee and traveled around to manipulate the way people thought. Protagoras and sophists were thought highly of and were considered "wise men". He influenced people and changed their way of thinking.


Protagoras was basically saying that everything is true. Protagoras' idea makes one reevaluate life itself, how are you to know that what is said is really true? As humans we may never really know. This shows that teaching is not always the truth. Like an individual that was taught that discrimination is right versus another individual that may have been taught that discrimination is wrong, this shows that a person can be taught something that is wrong but in their mind frame it could be right. Society is yet a changing idea. Generation after generation is taught differently. Who knows what will be taught in the generation yet to come.


Your perception of things is your knowledge. What you see can be totally different in the eyes of another person. Everything is not viewed as the same. One may believe in God the other may believe in Buddha but who am I to say that your beliefs are wrong and that mine are right? We as a society live in a diverse world there are many different beliefs, values and moral standards that are implanted in each and every mind. One may choose to change one's opinion on what they believe in only by choice. No one is force to do anything or believe anything you do it on your own will.


One person may know things that you may not know and yet still they are not smarter than you.


How am I to know that my boyfriend loves me if there is not truth? How am I supposed to know if there really is a God? Sometimes you just have to believe and have faith, the questions have to cease. You just cannot go around questioning everything then there would be no solutions for anything. The world would be full of confused people. There would not be order or self-control amongst us. There would be chaos against each other. These are the reasons why Protagoras was exiled because he caused confusion among the people.


Everyone is usually used to something that is traditional and cut and dry. Some may not like the thought of someone coming in and changing what they are used to. That is why the world is so corrupted today because people are narrow-minded. They don't want to look at the big picture. They see only what is ahead of them and that is all. They look at things as though things will never change.




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Friday, November 6, 2020

Mise en scène

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The term of the Mise EN itself with the procedure coded


‚in scene setzen of the resembleal.



The codes, which find within cinematic productions application,


können both film-specific nature its  - and for example the


assembly, which tries to cover temporal aspect of the film, when also


derived from other ¼nsten its, as the film under other composition


principles the static painting ernimmt.


Die Codes der Mise en Scène vereinigen in sich klassische künstlerische Stilmittel, fügen jedoch jeweils die für die filmische Darstellung relevanten Aspekte der Bewegung des Bildes sowie der räumlichen Tiefe hinzu.


Die Mise en Scène umfasst zusamengefasst folgende stilistische Komponenten


·Filmische Bedeutung des Bildformates


Nach konventioneller Lesart bedeutete dies, dass ein enges Bildformat eine intime Atmosphäre zu kreieren versucht, eine Dehnung des Formates hingegen Panoramablicke des Rezipienten hervorrufen soll.


·Filmische Bedeutung der Grenzen des Bildes


Grenzbereiche des Bildes führen zu einer geschlossenen oder offenen Form der Einstellung.


Innerhalb einer geschlossenen Form rückt das betrachtete Objekt in den Vordergrund und ist daher schon allein aufgrund der Größe, die es auf der Leinwand einnimmt vom Rezipienten als bedeutungsvoll zu identifizieren.


Eine offen gestaltete Einstellung bezieht auch das Umfeld des Objekts in die Bildgestaltung ein und provoziert somit sakkadisches Lesen des Rezipienten.


·Filmische Bedeutung der Komposition


Zielsetzung des kompositorischen Arbeitens ist es Beziehungen herzustellen. Aufschluss über den Grad der Beziehung zwischen Objekten geben hierbei Proportionen und räumliche Distanz der betrachteten Objekte.


Insbesondere die Anordnung von Menschen innerhalb eines Bildes verleihen nicht nur eine ästhetische Dimension, sondern geben auch eine soziale Ordnung wieder.4


Maßgebend für den Aufbau der Komposition ist die Bildebene, die durch die Tiefenebene sowie die geographische Ebene beeinflusst und ergänzt wird.5


·Filmische Bedeutung von Farbe, Linie und Form


Die Relevanz dieser Elemente entwickelt sich oftmals erst durch den Kontext, indem sich bestimmte Farben oder Objekte leitmotivisch und redundant durch den gesamten Film ziehen und dadurch besonderes handlungstragendes Schwergewicht erlangen.


Des weiteren wirken Farbe, Linie und Form durch kompositorische Anordnung innerhalb einer Einstellung.


·Filmische Bedeutung der Beleuchtung


Die Beleuchtungsmöglichkeiten gelten als wichtigstes Mittel zur Unterstützung der Wirkung von Farbe, Linie und Form, da es der Grad der Beleuchtung möglich macht, die Klarheit der Farben abzuschwächen bzw. zu verstärken sowie Formen und Linien hervorzuheben bzw. zu verklären.


Beleuchtungswinkel ermöglichen es außerdem, dramaturgische Effekte zu erzielen und Atmosphären zu kreieren.6



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Thursday, October 29, 2020

FOR HIM, BY HIM

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COL. 116-17


[16]- FOR BY HIM WERE ALL THINGS CREATED, THAT ARE IN HEAVEN, AND THAT ARE IN EARTH, VISIBLE AND INVISIBLE, WHETHER THEY BE THRONES, OR DOMINIONS, OR PRINCIPALITIES, OR POWERS ALL THINGS WERE CREATED BY HIM, AND FOR HIM [17] AND HE IS BEFORE ALL THINGS, AND BY HIM ALL THINGS CONSIST.


COL. 10 AND, HAVING MADE PEACE THROUGH THE BLOOD OF HIS CROSS, BY HIM TO RECONCILE ALL THINGS UNTO HIMSELF; BY HIM, I SAY, WHETHER THEY BE THINGS IN EARTH, OR THINGS IN HEAVEN.


COL. 17 AND WHATSOEVER YE DO IN WORD OR DEED, DO ALL IN THE NAME OF THE LORD JESUS, GIVING THANKS TO GOD AND THE FATHER BY HIM.


FUBU [FOR US ¡V BY US]


IN A RECENT SURVEY ASKING PEOPLE WHAT QUESTION THEY WOULD MOST LIKE TO ASK GOD, BY FAR THE LARGEST RESPONSE WAS, 1- WHATS MY PURPOSE HERE?- WHAT IS THE PURPOSE OR END OF THINGS? - WHAT HOLDS THINGS TOGETHER? 4- WHAT IS THE UNSHAKABLE FORCE THAT GIVES ORDER TO THE UNIVERSE? 5- WHAT IS THE POWER BEHIND THE LAWS OF NATURE SUCH AS GRAVITY?


CHRISTMAS IS A GREAT TIME TO FINALLY GET THE ANSWER TO THESE


ALL-IMPORTANT QUESTION. THE BIBLE TELLS US OUR CREATORS ANSWER, SPEAKING OF JESUS, IT SAYS,


ALL THINGS WERE CREATED BY HIM AND FOR HIM (COLOSSIANS 116).


1.YOU WERE CREATED BY JESUS AND FOR JESUS - AND LIFE WONT MAKE SENSE UNTIL YOU BELONG TO JESUS.


1.CHRIST CREATED ALL THINGS (V.16).


.CHRIST CREATED ALL THINGS FOR HIMSELF (V.16).


.CHRIST IS BEFORE ALL (V.17).


4.CHRIST HOLDS ALL THINGS TOGETHER (V.17).


WE EXIST BECAUSE OF CHRIST AND BECAUSE OF HIM ALONE.


(116) CREATION, PURPOSE¡XJESUS CHRIST, CREATOR


1.CHRIST CREATED ALL THINGS FOR HIMSELF.


.THINK FOR A MOMENT IF CHRIST REALLY CREATED ALL THINGS, TO WHOM WOULD CREATION LOOK?


.WHO WOULD CREATION PRAISE AND HONOR, WORSHIP AND SERVE?


4.THE ANSWER IS OBVIOUS CREATION LOOKS TO ITS CREATOR. CREATION OWES ITS EXISTENCE TO ITS CREATOR.


5.THEREFORE, CREATION IS TO EXALT ITS CREATOR.


6.CREATION FINDS ITS BEGINNING AND END IN JESUS CHRIST.


7.JESUS CHRIST CREATED THE UNIVERSE...


„hTHAT IN THE AGES TO COME HE MIGHT SHOW THE RICHES OF HIS GRACE AND KINDNESS (EPHES. 7).


„hTHAT HE MIGHT REVEAL HIS GLORY (ROMANS 818).


8. SIMPLY STATED, THE UNIVERSE WAS CREATED BY CHRIST FOR CHRIST, THAT IT MIGHHT BE HIS


TO LOVE ¡V TO BLESS ¡V TO RECEIVE ¡V TO REDEEM ¡VTO SAVE


- HE ALONE IS THE SOVEREIGN MAJESTY OF THE UNIVERSE. HE ALONE STANDS BEFORE ALL, EVERY SINGLE THING¡XSTANDS UNDER HIM OWING THEIR EXISTENCE


THEREFORE, CREATION OWES ITS PRAISE AND HONOR, WORSHIP AND SERVICE TO THE LORD JESUS CHRIST. THE UNIVERSE EXISTS FOR ITS CREATOR.


.BECAUSE HE DIED TO PAY FOR YOUR SINS.


.HE CAN REMOVE THE WALL BETWEEN YOU AND GOD AND YOU CAN ANCHOR YOUR LIFE TO THE RELATIONSHIP YOU WERE MADE FOR.


IF YOUVE NEVER BEGUN YOUR PERSONAL RELATIONSHIP WITH JESUS - AND YOU WANT TO BEGIN THIS RELATIONSHIP, CHECK IT OUT


HE MAKES SENSE OUT OF ALL THE PIECES AND TURN THEM INTO SOMETHING AMAZING.



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Monday, October 26, 2020

Xxx

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To be the number one service organisation in financial services by September 005 - thats our mission. And we know that achieving it is dependent on our ability to enhance the customer experience through better delivery of service and improving customer perceptions through more compelling advertising and a distinctive visual identity.


So weve taken a completely fresh look at how we can improve the customer experience and our advertising and visual identity, rethinking not just how we look but how we act as well. Heard it all before? Well this time its different.


Heres how it works - the Westpac DNA


Our customer focus strategy is clear. We have committed ourselves to a mission that demands a range of actions that will lead to a dramatic improvement in customer satisfaction. These actions involve improving not only the customer experience, but also improving customer perceptions.


If we can improve the customer experience and use of advertising and visual identity to improve customer perceptions and promote what were doing to improve the customer experience, we have a great opportunity to become the number one service organisation in financial services by September 005.


Our brand positioning


Defining our brand positioning is key. The brand positioning is not a tagline but the strategy that defines the messages our advertising should deliver. We have completed a lot of research with staff and customers to define what messages they want to hear, and the core message they want to hear is that Westpac delivers a consistently better customer experience by doing things differently to other banks.


Customers said this message would be motivating to them and would differentiate us from competitors provided we deliver proof of how we are improving the experience ie by improving the service basics and by adding value through products and advice. Thats why all our new advertising now has proof points.


Personality Profile


The research with our customers also told us what style they wanted to deliver this message in, which led to the development of personality guidelines. The personality guidelines are doing things differently, customer is the hero, knows money, down to earth, optimistic energy and not chest beating.


This is the character of our brand that needs to infect all our communications. Its the kind of personality that does things with spirit and purpose - showing the benefits to our customers.


Its a personality that needs to be delivered with a distinctive visual identity and new communications that puts fresh thinking to the fore.


Doing things differently looks different


We know that our advertising and visual identity can help shape how our customers perceive us. Part of this challenge is to translate our brand positioning and personality into a distinctive visual identity and powerful communications.


There will be three key areas of change in our visual identity


a new advertising theme


a new visual identity system


an updated identity architecture



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